For Joy Oladokun, ‘Hope Is a Heavy Thing’

photo credit: Graham Tolbert

Living in an age where rage is a currency, where anything and everything is a financial stressor, and where our political machine’s main function is to sow division, clinging to positive platitudes like “Things will get better!” or “Just hold out hope!” can feel like an expression of wilful ignorance, or at best, stupid naivety. It’s hard, nearly impossible, to remain hopeful in such uncertain times; a feeling encapsulated in the fifth album from Joy Oladokun (they/she), fittingly titled Hope is a Heavy Thing.

The Arizona-born singer-songwriter’s career has burgeoned from her pensive lyricism, a marriage of the personal and political: their Nigerian-Christian upbringing as a queer person in their 2019 single “Sunday”; the unique pain of the African-American experience in the piano-led pandemic anthem “Who Do I Turn To?”; or her dependence on self-medication in “Drugs.”

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