The Coens realize that sometimes, of course, comedy is bleak. But the point of gargoyles is to remind us that sacred and profane coexist.
Understanding the process of turning an implement of death and violence into a tool for creativity and imagination is one part of the strategy. In doing so, there is hope that participants in such an event will begin to reimagine their own world and how they engage it. After all, true change first begins with imagining the possibility of such transformation.
Further, Reyes hopes to challenge U.S. citizens to consider their relationships with guns, and moreover, the impact that value has on people in other countries. Again, in the NPR story, Reyes explains, “We have to be allowed to ask questions. If you are not allowed to ask questions, you are not free."
Sisters in the Wilderness: The Challenge of Womanist God-Talk by Delores S. Williams / Social Music by Jon Batiste and Stay Human / What Do We Tell the Children: Talking to Kids About Death and Dying by Joseph M. Primo / The Age of the Spirit: How the Ghost of an Ancient Controversy is Shaping the Church by Phyllis Tickle and John M. Sweeney
This year I have been trying something new to me. I’m trying my hands at a little music or concert review. It’s a chance to experiment with this nascent methodology I’m developing. The posts have been some of the most commented upon on Facebook and even on the blog. Thanks for everyone’s engagement!
Though not the beginning, certainly the central review is this duo about Mumford and Sons and eschatological banjos. Cathleen Falsani was in town and we had a great time at these shows. These concerts are all about the eschaton, transcendence, immanence, and banjos. There are always banjos. I know.
One of the downsides of a theological education (and/or an overactive theological imagination) is an inability to sing some favorite old hymns with naive gusto. During this Christmas season in particular, we simply know too much about the biblical story (and the reality of childbirth and babies in general) to fully believe all of the touching words in some of the most popular Christmas carols.
So as a public service, I have written historically accurate versions of three of the most beloved holiday hymns. Without personally endorsing any of the theology below, I also offer some alternatives to those who don't theologically jive with the current version of "Joy to the World."
Way back in the day (circa 2004), Switchfoot's lead singer, Jon Foreman, was asked if the band is a “Christian” band. Even though it's been a while, his response is worth looking at again.
I was driving home from work a few weeks ago and found myself suffering from a little radio ADD. I flipped through every station on my programmed radio console with a sense of emptiness. Each station was playing what sounded like the same song with the same beat over and over again.
How can I find meaning in my drive home with the drudgery of the same bland music?
I finally gave up on my search for meaning and stopped on my favorite top-40 radio station, Chicago’s 101.9 The Mix. And there it was. Someone was singing these words:
I will love you unconditionally
There is no fear now
Let go and just be free
I will love you unconditionally.
“Wait a minute,” I thought. “The Mix is playing a song about God?!? Had The Mix been taken over by a Christian radio station? Had K-Love or Moody Radio joined messianic forces with Rafael and Ted Cruz to enforce Christian Dominionism all over American radio?”
There is no mistaking it: Shad Kabango's music is authentic and tenacious. With incredible humility, he speaks from his heart, with no fear of calling out the inconsistencies he sees in the world.
In the recent release of his 4th studio album, Flying Colours, the critically acclaimed Canadian emcee, better known as simply "Shad," hopes his music speaks for itself.
"It’s not easy to summarize or convey, I don’t think," Shad said of the theme of the album, in a recent interview with Sojourners. "Some sort of … feeling of hope, I guess, but hope within the complexity of real life and the challenges of real life."
A blog by David Hilfiker / Sing to the Moon by Laure Mvula / High Rise Stories:Voices from Chicago Public Houses by Audrey Petty / Walk with Me by Tanisha Christie and Ellie Walton