Improv Everywhere celebrates its tenth anniversary by remixing and remastering some of its best sketches. The highlights from Puppy Bowl VIII are in (look out for the MVP)! Bon Iver puts on an incredible SNL performance. Bill Maher's "Irritable Bowl Syndrome." Mad Men's promo posters have been tampered with! OK GO's latest music video from the inside of a car. A new look at Downton Abbey and more!
This week, George Beverly Shea, Gospel Music legend and longtime musical companion of Dr. Billy Graham on his many revival meetings around the world, celebrated his 103rd birthday!
A native of Canada, Shea, who now lives in Montreat, N.C., not far from that whipper-snapper Graham (who turned 93 just recently), is still going strong.
“Karlene and I rejoice in the Lord’s overwhelming grace to give me 103 years of life!” Shea gushed on Monday (his actual birthday) according to the Billy Graham Evangelistic Association's website.
Thirty-four years later, nearly two decades into the Internet age, the September 2011 break-up of the rock band R.E.M. reminded me just how right Bangs was. R.E.M. was one of the last traditional rock bands still doing relevant work.
A huge collection of 90s pop classics set to the tune of one man's melodica, animals appearing everywhere -- in public libraries, photobombs, even to predict the superbowl, how to mount a hot pocket holder to your X-Box controller, the first installment of FRIDAY'S HIGH FIVE, and more!
When Sojourners CEO Jim Wallis departed on his three-month sabbatical at the beginning of January, I sent him a list of books, films and music that I thought would nourish his mind and spirit in, perhaps, different ways than the media he normally consumes do.
Jim's sabbatical — a true Sabbath in the literal sense — is designed to be a time of rest and, more importantly, rejuvenation. It will also be a creative time when he will be working on a new book.
Jim is a creative. A writer. A visionary. He regularly digs deep into his heart and soul, breaks himself open and pours out his passion, hope and faith for the edification of others. If creatives aren't diligent, though, we can work ourselves into the ground. Our wells can run dry.
In sending Jim this list of what I like to think of as "soul food," I hoped to inspire his imagination and give him new fuel for the fire, if you will.
It's always encouraging to see musicians using their unique platform to inspire social change.
When it comes to an indie supergroup such as New Party Systems — compirsed of members from TV on the Radio, Notekillers, and Liturgy — disparate audiences are drawn together for common purpose: economic justice.
New Party Systems's song "We Are," which dropped on the web yesterday, draws attention back to what the Occupy Movement is: A place of rising consciousness, full of energy and passion to bring about change.
While it may seem that the Occupy Movement is losing its steam, this expression reminds us its the spirit is alive — and growing.
During all my reading about Robyn and Lady Gaga I came across some stuff about Lady Gaga that I found interesting, theologically speaking. As I told Jana over the summer, "I'm sort of developing a theological curiosity about Lady Gaga." Jana asked, "How so?"
Well, Lady Gaga calls her fans "monsters." Or "little monsters." And by that she means freaks--the odd, the weird, the lonely, the rejects, the nerds, the castoffs. And you can't help but wonder, in light of the gospels, about that demographic. In my book Unclean I have a chapter on monsters. And I've written about the theology of monsters on this blog. Consequently, Lady Gaga's use of the label "monsters" caught my attention.
Because as I've written, the category "monster" is charged with ambivalence. On the surface the monster is a normative threat--a defilement, a degradation, a location of moral and communal harm. Thus, monsters are expelled from community. And yet, most monster stories suggest that the monster is often a scapegoat. That the monster is more victim than victimizer. Underneath, if we could but see it, the monster is one of us.
So it's theologically apt that Lady Gaga uses the category monster for her fans. Because she's targeting a group that has been cast out of society. Again, she's explicitly embracing the freaks, weirdos and social outcasts. But Gaga, like in the monster stories, has flipped this and made the label "monster" a term of affection, welcome, embrace, community, inclusion and hospitality. (The diminutive "little" signals the playful affection.) This parallels my own interests in Unclean--Can we show hospitality toward monsters? So I'm intrigued by Gaga's community of "little monsters."
"How was all of this created? If the answer to that question is God created everything, there was a creator, than I say, great! What a great job. And I like the idea. I find it very, I don’t know, I find it comforting in some way. But if the answer to that is there is no God, I don’t feel like, well, what a jerk I’ve been. I feel, oh fine, so there’s another answer. I don’t know the answer. I’m just a speck of dust here for a nanosecond, and I’m very grateful." — Paul Simon in an interview that will air this weekend on the PBS program Religion & Ethics Newsweekly.
Watch the interview in its entirety inside ...
It’s good to start a new year by remembering those who passed in the just concluded year. These aren’t the most famous (or infamous), and I didn’t know them personally (or, at best, had met several briefly), but their lives touched mine in three of my passions: American roots music, politics and public life, and baseball.
Each day leading until Christmas we will post a different video rendition of the "Hallelujah Chorus" for your holiday enjoyment and edification.
Today's entry is a traditional orchestration and performance of Handel's famed chorus by The Cathedral Choir of New Jersey. The video is taken from the 66th rendition of the "Hallelujah Chorus" performed by the choir on Dec. 5, 2009 at Hawthorne Gospel Church in Hawthorne, NJ.