Running the Rift by Naomi Benaron / Silver and Gold by Sufjan Stevens / Star of Wonder by Mary Lee Wile / The Food and Feasts of Jesus: Inside the World of First-Century Fare, with Menus and Recipes by Douglas E. Neel and Joel A. Pugh
Caroline Herring makes truth-telling a mission in her music.
Freelance Whales’ performance on Wednesday was a bit like my experience with Hurricane Sandy: One minute was jubilation at the prospect of no work for two days, and the next minute was a mellowed out restlessness, presumably from staying inside for too long.
That is definitely not to say that the performance was by any means terrible or disengaging. Rather, it simply means that the group from Queens meandered through most of their current catalogue, which consisted of the poppy, upbeat Weathervanes and the recently released, mellow, ambient Diluvia.
For popular catchy songs like “Generator ^ First Floor,” “Hannah,” or “Ghosting,” the crowd was quick to nod their heads, raise their hands, and sing along.
What is it that music actually does? What is that thing? I'm not entirely sure.
That music has physical qualities is unquestionable. A certain pitch can shatter glass. Low notes can cause the trunk of the car stopped next to you in traffic to shimmy and shake. Volume hurts our ears. Music, temporally bound, is material.
It affects the world around us. It engages the world around us. Sound waves travel through various substances...with greater or lesser ease depending on the substance, but it does travel. It moves.
But does it live, move, and have being?
Cosmic Christ – depth of reality. The resurrection of Christ is also of the body…exit wounds and all. So can the music that changes the shape of the world we live in not help us access the God who inhabits the world and heaven at the same time?
So often I read passages like the one above from Rock and Theology (an amazing blog, by the way) and I wonder what the hell we're all going on about. Music does not have agency in any conscious sense. It is substantive, of course, and could be analysed liturgically like any other liturgical object.
According to Rolling Stone:
Paul McCartney says that Yoko Ono isn't at fault for splitting the Beatles or tearing John Lennon away from the group in an upcoming TV interview with David Frost, the BBC reports. "She certainly didn't break the group up," McCartney says, countering the commonly held belief that Ono caused the Beatles' dissolution. "I don't think you can blame her for anything," McCartney says, adding that Lennon was "definitely going to leave."
Read the Rolling Stone report in its entirety HERE.
For our brothers and sisters on the East Coast, in the path of the storm they call "Sandy," I've put together a little music for you to help pass the time. Sending you prayers of protection, peace, and grace (and, I hope, more than a bit of musical joy and solace) from the shores of the Pacific here in California at the SoJo West office.
Inside the blog, there are 30 videos. For those of you with power (and an Internet connection), I hope it helps pass the time and maybe even gets you to get up and dance a little in your living rooms.
Here's the song and video the playlist begins with: "No Storms Come" by our Sojo friends, The Innocence Mission:
It's been a very musical weekend.
Pictured at left is a Foster 7-string guitar. It's just like a traditional 6-string acoustic, but with the added rumble of a low-b string. It's an interesting beast to play. Lovely, really. I like that extra resonance in the low end, plus, if truth be told, I like singing with it. Here is a little recording from Soundcloud. I recorded the file below on my phone. Any tinnyness is purely because of the phone.
God Girl's New Favorite Thing for Oct. 25, 2012: Two Irish boys cover Rihanna's "We Found Love (in a Hopeless Place)"
Now who are these talented young lads?
UPDATE: WE FOUND 'EM!
More info from the singer's father inside the blog...
I was standing there on the shore, jeans rolled up, my ankles in the surf.
It was day two of the Rob Bell event and people were surfing.
Rob brings in a couple of surfing instructors and, if you want to, you can rent a board and take a lesson. It's a good time. I watched a lot of people surf for the first time as I stood on the shore ...
If I were given one word to describe New Zealand singer-songwriter Kimbra, probably best known for singing the female part on Gotye’s “Somebody That I Used to Know,” it would be eccentric.
But that word is based almost entirely on her live show, where — after dimming the lights and playing the theme for The Godfather over the 9:30 Club’s speakers on Tuesday — Kimbra walked onto the stage, decked out in sleek elevator shoes, a fluffy dress laden with glitter and color (which eventually became a tutu), and what looked like pom poms draped over her shoulders. She would’ve looked even more out of place if her drummer wasn’t rocking a sweet high top fade.
But, even though concerts are performances — and as such necessitate an element of spectacle — the music obviously remains the reason people flock to see their favorite musicians.