When evangelical politicians pronounce on topics like the origins of the universe, the results are almost always awful -- embarrassing, infuriating, unwatchable. When a reclusive, visionary filmmaker like Terrence Malick treats the same subject matter, as he does in his new movie The Tree of Life, one is transported. Which is a useful reminder that the mysteries of creation are best grappled with through art. The book of Genesis, after all, begins not with scientific description or theological argument, but with a poem.
I attended a basketball game this winter at the University of Maryland, accompanied by an intern at my workplace, a man in his twenties. For much of the game, we chatted about everything from politics to how North Carolina is far superior to Duke in all the ways that really matter (on the court, of course). During the conversation, between glances at the game, my colleague maintained steady eye contact … with his smart phone.