Noah Leavitt and Helen Kiyong Kim’s marriage is one of an increasing number of Jewish-Asian pairings in the U.S., a trend evident in many American synagogues. The two Whitman College professors have just released the first book-length study of Jewish-Asian couples and their offspring.
Though JewAsian is geared toward social scientists, the chapters in which they excerpt and analyze their interviews with 34 Jewish-Asian couples will interest any readers curious about intermarriage in general, and the evolving American-Jewish community in particular.
The good, the bad, and the ugly of this campaign season has exposed the depth of some of the United States’ racial and ethnic fault lines. But the fault lines themselves are moving. The 2016 electorate will be the most racially and ethnically diverse ever, due largely to U.S.-born Hispanic youth and naturalizations of Asian immigrants.
In my pastoral counseling class in seminary, the professor played a video of a counseling session of a black couple. He intended for us to learn some lessons on marriage counseling from it, but it turned out to be a laugh fest for the mostly white class. Repeatedly the husband and wife cut each other down with witty insults. My sense is that the couple reminded the students of George and Louise Jefferson from the TV show The Jeffersons. I sat next to an African American student that day and during the break I turned over to him and asked, “Do you find this funny?” He said, “I’m glad you asked,” and proceeded to tell me that he witnessed this kind of behavior firsthand in his own home since his parents are divorced. Needless to say he did not find the video amusing. I encouraged him to voice this to the class, which he courageously did when we returned from break. It seems while the professor intended to communicate one thing from showing the video, it communicated another because of the manner in which the students were racialized.
I share this story as an analogue to the recent controversy surrounding the production of the Seattle Gilbert and Sullivan Society’s The Mikado — a comic opera written in 1885 as a critique of British politics and institutions, set in distant, mysterious, and mostly made-up Japan. It began with Sharon Chan writing an editorial to the Seattle Times, calling the current production of it by an all-white cast as “yellowface” and “open[ing] old wounds and resurrect[ing] pejorative stereotypes.” Since then, Jeff Yang has also written an editorial for CNN.com entitled, “Yellowface staging of ‘The Mikado’ has to end.” I will not rehearse their arguments here; I write to address why this incident matters to North American evangelicals.
If migration policy was "freed" or emancipated, people could respond to real work opportunities, economies would be able to grow globally, the federal and state focus could be put on fighting crime and http://www.latina.com/lifestyle/news-politics/immigration-
The room was hot and stifling and overcrowded, but the excitement was palpable as people gathered to witness the introduction of a new comprehensive immigration reform bill. I barely managed to squeeze in, edging through the throng of people who spilled into the hallways. And just in time.
As I set foot in China, many emotions invaded my thoughts. I guess you could say I was somewhat nervous. My last visit to China involved being detained for a day on suspicion of helping North Korean refugees -- an "offense" punishable in China with up to three years in prison.