Arts & Culture

Film critic Alissa Wilkinson writes that “Christian theology is rich and ... full of imagination that's broad enough to take up residence among all kinds of human cultures. It contains within itself the idea that art exists as a good unto itself, not just a utilitarian vehicle for messages.” The Wedding Plan is a prime example of this kind of religious art. It’s a message movie, a window into a culture that makes the specific and personal universally relatable, and still manages to tell a good story. 

For many Asian immigrants and refugees, coming to the United States wasn’t fully voluntary, but a result of war and poverty. Just as the Hebrews needed to learn to live as exiles, Asian Americans needed to find a way to make a new home in a new land. While their hardships reflect the difficulty of exile, Jimmy’s and Mary’s familial love and corporate responsibility also model for me how we Christians are to follow Jesus in the midst of this empire.

At first glance, the meaning behind this tagline for Wonder Woman feels obvious, it is the next step on the DC franchise road to November’s Justice League movie. But of course, there’s more to it than that. Wonder Woman marks a feminist milestone, too, one that feels like artistic justice: it’s the first major superhero movie to feature a female hero, and the first to use a female director, Patty Jenkins.

A young indigenous man from the Quinault Indian Nation was killed on Saturday night by a man witnesses describe as a white, in his 30s, who shouted racial slurs before backing over two men with his pickup truck, reports the Seattle Times. But you probably haven’t heard this news, not with all the other news floating through cyberspace.

Why did it take clichéd pop verses in English — lyrics that could be copy-and-pasted to any Bieber song and wouldn’t feel out of place — and some mediocre Spanish singing for “Despacito" to get its due?

Charges of first-degree murder, second-degree murder, and first-degree assault have been brought against Urbanski, whose attorney has stated that Urbanksi was under the influence of alcohol when he killed Collins III. However, Urbanski is a member of the now-defunct Facebook group “Alt-Reich: Nation,” on which there are expressions of hatred against Jews, women, and people of color.

This is reminiscent of a time when European and American men went to Asia in the attempt to save Asian women from their own countries, or use Asian women for their pleasure, or — in many cases — both. In Pierre Loti’s 1983 novel, Madame Chrysanthéme, he writes a story of an affair between a French naval officer and a wife he’s taken in Japan. Loti describes the woman and her friends as docile, submissive, and overtly feminine, much like how Mantis is described by other characters in the movie, from Ego to the overtly masculine Drax.

“It’s quite unique for us,” Antinori, whose mother’s family includes three popes in the 18th and 19th centuries, said. “To have the commissioner — our ancestor, in this case — also represented in a piece is unique.”

Saunders’ spirit of generosity, cloaked in the dark humor and melancholy of his stories, has made him something of a guru to younger writers. A practicing Buddhist, with a childhood in the Catholic Church, Saunders approaches his essays in particular with a spiritual frankness — comfortable with his own limits, unabashedly willing to admit what confounds him, and ready to tell the truth as faithfully as he can. 

In July, he published his months-long attempt to understand Trump supporters and how they came to invest so much in a highly divisive, unconventional candidate. He seems both a natural and a jarringly wrong fit to capture this election season — perhaps the writer best ready to chronicle the already-absurd, and the one most willing to take it seriously. And at this moment in 2016, Saunders may be a kinder national narrator than we deserve.