The Editors

The Sinéad Effect

Nothing Compares documents the tumultuous career of Irish musician Sinéad O’Connor. On live TV in 1992, O’Connor protested child abuse in the Catholic Church, nearly a decade before papal acknowledgment. Her actions jeopardized her career, but she clung to music as a form of healing.
Showtime

POPULAR CULTURE PLAYS an important role in shaping our view of the possible. Ta-Nehisi Coates, author of Between the World and Me, for years wrote Marvel’s Black Panther and Captain America comics. “I think we don’t always realize the extent to which the culture actually interacts with politics,” Coates said on Ezra Klein’s podcast. “I could advocate for all of the policies in the world ... but it really, really occurred to me that there’s a generation that is being formed right now that’s deciding what they will allow to be possible, what they will be capable of imagining. And the root of that isn’t necessarily the kind of journalism that I love that I was doing, the root of that is the stories we tell.”

In this issue, sojo.net associate news editor Mitchell Atencio looks at some of those stories — in particular, superhero comics — and explores what is not being told, and how pop culture often avoids grappling with the way our country approaches issues such as policing and incarceration. That failure has consequences far beyond the DC and Marvel universes.

WHEN VILLANOVA PROFESSOR Vincent W. Lloyd reflects on the theology of the phrase “Black Lives Matter,” he begins with the “death-dealing forces of white supremacy” and the tragic “ vulnerability to premature death” experienced by Black people. But Lloyd doesn’t stop there. To affirm the value of Black lives, Lloyd writes, requires life that is rich, creative, and flourishing.

Lloyd doesn’t think such flourishing is possible without faith. Specifically, he argues that to hold on to “a hope against hope” in the face of these noxious, murderous systems and practices requires belief in the possibility of life after death: “For Black life to matter,” Lloyd writes, “we must believe in resurrection.” As Carmen Acevedo Butcher puts it in her interview with Betsy Shirley, “It may not look like it,” but “Love’s in charge.” That’s an important reminder for all of us, in this Easter season and always.

On a lighter note: We’re pleased to have a guest appearance by our former art director (and humor columnist) Ed Spivey Jr., who came out of retirement to offer his pearls of wisdom on artificial and other kinds of intelligence.

IN THIS ISSUE, ethicist Larry Rasmussen explains that human economic activity has transformed not only our relationship to the world, but the world itself — we are now in an era where “everything turns upon humanity,” as Dietrich Bonhoeffer put it in a different context. While this new “totalizing” reality of what people are doing to the planet has become virtually undeniable, the human tendency toward unceasing growth, as Jim Rice points out in his column, is still defended by economists, headline writers, and the rest of the “more is more” crowd.

ALL THREE FEATURE articles in this issue revolve around issues of power. Jenna Barnett looks at the power wielded by charismatic leaders such as Jean Vanier, one of the founders of the L’Arche communities, and how his power — and a lack of accountability — became a fountainhead of abuse. Mae Elise Cannon, executive director of Churches for Middle East Peace, explores the May 2022 killing of Palestinian Christian Shireen Abu Akleh by the Israeli military, a consequence of the massive power imbalance between the State of Israel and the Occupied Territories of Palestine. And Sojourners’ Moya Harris, an itinerant elder in the African Methodist Episcopal Church, looks at the spiritual power of Lauryn Hill and other female rappers who address questions of “sexual power, sexism, embodiment, racism, and economic issues” in their lives and music.

As Christians enter the season of Lent, we reflect on human brokenness and who we are before the cross. Abusive power is not new. But it also does not have the final word, as the people in these stories show.

ONE DOESN'T NEED Margaret Atwood’s dystopian fiction to see the frightening potential of theocracy. In this issue, writer René Ostberg tells a chilling story of a malign collusion of church and state — in this case, the Irish Catholic Church and the newly formed Irish state of the 1920s. Together, the two institutions acted as morality police, imprisoning women and girls for the “crime” of becoming pregnant out of wedlock — as Ostberg puts it, “for transgressing Catholic Ireland’s moral and class codes.” More than 10,000 Irish women and girls were incarcerated in so-called Magdalene laundries run by Catholic religious orders with state funding, the last of which wasn’t closed until 1996.

“BRINGING HOME THE incarnation was the motivation for Clarence’s writing, his preaching, and his living. He believed that the incarnation was the only method of evangelization, that ‘we haven’t gotten anywhere until we see the word become flesh.’” So wrote associate editor Joyce Hollyday in our December 1979 cover feature on the Southern activist/farmer/writer Clarence Jordan. Our December issue, for many years, was our “incarnation” issue, focused on a contemporary or historical figure who lived out the way of Jesus.

JULIE POLTER arrived at Sojourners in 1990 to serve a year as an intern on our editorial staff. Three decades later, Polter steps into the role of editor of Sojourners magazine, the third person to fill that position in our 51-year history. Polter’s predecessor, Jim Rice, who succeeded our founding editor in 2006 and has been on Sojourners’ staff since 1981, will continue as a senior editor. During Rice’s tenure as editor, Sojourners has been consistently honored as “best in class” among its peer religious publications.

The Future Fight

Youth v Gov, currently streaming on Netflix, follows the 21 American young people suing the U.S. government for creating the climate crisis and failing to act to protect their constitutional right to life, liberty, personal safety, and property. Barrelmaker Productions