To my mind, all of Wes Anderson’s films are masterpieces in the truest sense of that word. But his most recent creation, Grand Budapest Hotel, is, perhaps, his chef d’oeuvre.
Anderson’s eighth feature-length film, which opened in limited release last week, Grand Budapest Hotel is a whimsical, hilarious, and surprisingly touching tale laden with nostalgia for a world and way of life most of us (including the 44-year-old director himself) never have experienced.
Set in the fictional Eastern European mountain region known as the “Republic of Zubrowka,” the plot centers around the character and adventures of Monsieur Gustave H. (Ralph Fiennes), the concierge of the eponymous Grand Budapest Hotel, one of Europe’s palatial “grand hotels. Gustave is something of a dandy, a throwback to a bygone era even in his heyday of the 1930s on the cusp of World War II.
The world's most dangerous hiking trail, some underwater streets, skyscrapers cleaning our air, and having a cold brewski with President Obama. And then 2,601 people collaborated on a song. Today's links of awesomeness are pretty awesome.
I liked this film so much I've already seen it twice. Moonrise Kingdom is so good, in fact, I almost couldn't bring myself to write about it for fear of not doing it justice.
And yet, since I first took my 11-year-old nephew, Ethan, to see it last month, I've been talking about Moonrise Kingdom nonstop, encouraging everyone I know to go see it. It has captured my imagination completely, an absolute tour de force — wholly original and an "instant classic," as I heard one film critic utter tell a companion on his way out of the theater.
Perhaps Ethan, a mythology buff who's never met a fantasy film he didn't like, put it most eloquently when he said (surprising no one more than himself), "That was the best film I've ever seen."
Moonrise Kingdom is director Wes Anderson's seventh feature-length film to date. In an iconoclastic cinematic oeuvre unrivaled among filmmakers of his generation, Anderson's latest stands above the rest of his stellar films — Bottle Rocket, Rushmore, The Royal Tennenbaums, The Life Aquatic with Steve Zissou, Fantastic Mr. Fox and Darjeeling Limited — as an eloquent, funny, enduringly poignant homage to childhood and, moreover, to innocence.
In a word, the film is perfect. I wouldn't change a thing.
Part six in a series of posts by Bob Massey, a Los Angeles screenwriter who is currently traveling to India with a team from Ecclesia Hollywood hosted by a faith-based human rights organization whose work in Mumbai concentrates on rescuing girls from sexual slavery. + Click here to read previous posts
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