Noah

Jesus Is All Over the Small Screen, and That’s No Accident

Photo via NBC Universal / RNS

Diogo Morgado in Son of God. Photo via Casey Crafford/LightWorkers Media LLC/Hearst Productions/Telemundo/ NBC Universal / RNS

Need proof that biblical entertainment is Hollywood’s holiest trend? Then look no further than Morocco, where three TV projects — National Geographic Channel’s Killing Jesus, NBC’s A.D. The Bible Continues and CNN’s Finding Jesus — were filmed on neighboring sets last year.

“You got this kind of Life of Brian-esque world you’re living in, where on all of our days off, there’s 36 disciples sitting around the pool and three Jesuses at the bar,” said actor Stephen Moyer, who ditched the fangs from True Blood to play Roman governor Pontius Pilate in the Ridley Scott-produced Killing Jesus.

Based on Fox News host Bil O’Reilly’s follow-up to the books he co-wrote with Martin Dugard, Killing Lincoln and Killing KennedyKilling Jesus tracks the last days of the Christian Messiah. Played by Muslim actor Haaz Sleiman, he is portrayed less as a miracle worker and more as a political threat, and the script heightens the sexual tension between Jesus and follower Mary Magdalene (Klara Issova).

“It plays with the idea that Jesus’ teachings are more important than the doing of miracles, that the idea behind what he’s saying is the point and it doesn’t need to have out-of-body, magical elements happening,” Moyer said.

A Noah State of Mind

AS THIS IS written, the big, fat Hollywood blockbuster Noah is opening amid condemnation from some Muslims and evangelical Christians and praise from most film critics.

Today, any product that touches the Bible is bound to be perceived as another entry in the culture wars. But that doesn’t seem to be what the producers and filmmakers had in mind with Noah. After all, it’s time-tested public domain material that presents great opportunities for computer-generated imagery (CGI) special effects. Paramount, the studio that put up the $125 million production cost, mostly wanted to peel off a slice of the Christian audience that flocked to Mel Gibson’s The Passion of the Christ and the History Channel’s Bible series.

But Noah was a culture war surrogate long before Russell Crowe donned his biblical robes. That’s because the creationist organization Answers in Genesis (AiG), which runs an anti-evolution Creation Museum in northern Kentucky, has for the past few years been trying to raise money to build a theme park anchored by a Bible-sized replica of Noah’s Ark. The Creation Museum is famous for such attractions as exhibits that depict humans and dinosaurs as neighbors. You may have heard it described as the museum for people who think The Flintstones was reality TV.

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On Capital Punishment, Don’t Start with the Old Testament

Book of Genesis, Janaka Dharmasena / Shutterstock.com

Book of Genesis, Janaka Dharmasena / Shutterstock.com

After this week’s botched execution in Oklahoma, Albert Mohler, president of The Southern Baptist Theological Seminary, argued why Christians should support the death penalty at CNN.com. Grounding his argument in Genesis 9:6, where Noah is told that anyone guilty of intentional murder should be put to death, Mohler says, “The one who intentionally takes life by murder forfeits the right to his own life.”

In my experience, most Christian pro-death penalty advocates make similar arguments, rooting themselves in Old Testament teaching. On occasion, they bolster their thinking with a somewhat cryptic reference to the government’s ability to “bear the sword” to “bring punishment on the wrongdoer” by the Apostle Paul. Rarely, will anyone cite Jesus’ teachings.

Mohler is a capable theologian and a thinker I respect. And I have many intelligent friends who support the death penalty. Yet, I think it is problematic for Christians to root their support of capital punishment in the Jewish Scriptures.

Darren Aronofsky: I'm Not Religious, But the Environmental Messages in 'Noah' Are

Darren Aronofsky on the set of “Noah.” Photo courtesy of Paramount Pictures and Regency Enterprises.

Director Darren Aronofsky says he is not religious, and that his Russell Crowe blockbuster movie “Noah” is the “least-biblical biblical film ever made.”

But the strong environmental message of his film — which makes Noah a hero as a God-inspired steward of the earth — firmly roots itself in Scripture, Aronofsky told an audience of religious environmentalists on Wednesday. Many of them hope the message of the movie, which has grossed more than $300 million since its release on March 28, spurs more people of faith to work against climate change.

In “Noah,” Aronofsky said, he hoped to capture the beauty of creation, and to dramatize God’s dramatic decision to destroy it because of human sin. Noah, he said, “is saving the animals. He is not looking for innocent [human] babies. It’s about saving the animals.”

Why Emma Watson Is The Secret Key To 'Noah'

Co-writer Ari Handel said in an interview with Cathleen Falsani of Sojourners that Ila was a way to explore Noah's love. "Obviously the notion of barrenness and infertility is a very biblical concept and it fits right in with the Noah story because it’s all about the death of life and the birth of new life; it’s all about second chances and next generations," he explained. "So I think she came out of those places. She ends up also becoming, as you see, in some ways a different kind of a voice — a humanizing voice — that is able to bring Noah back from his despair."

A Biblical Review of 'Noah'

© MMXIV Paramount Pictures Corporation and Regency Entertainment (USA)

Logan Lerman is Ham and Russell Crowe is Noah in NOAH, © MMXIV Paramount Pictures Corporation and Regency Entertainment (USA)

Biblical themes have been used throughout history to share the universal struggle of humanity; temptation, rebellion, coming of age, the degradation of the moral compass, courage in the face of humanity, and of course, faith.

William Shakespeare uses biblical elements in his plays. We witness in his writings themes highlighted in David's narrative, Adam and Eve's story, and Cain and Abel's tragedy. These stories are central to the Western canon. We cannot get away from these themes and stories, for they rest in the consciousness of our culture.

The film Noah, directed by Darren Aronofsky, is a daring, powerful, and imaginative retelling of the Noah story. Aronofsky takes the central elements of the biblical narrative and expands the story, as artists are called to do, to allow the audience to witness, not a historical world, but a metaphorical universe where the choices of humanity disrupt the sacred divine rhythm of creation.

New & Noteworthy

Everyday Saints
St. Peter’s B-List: Contemporary Poems Inspired by the Saints, edited by Mary Ann B. Miller, is not a collection of sentimental greeting-card-style verses; instead these literary works wrestle deeply with the human condition and the yearning for holiness, sometimes implicit, sometimes explicit. Ave Maria Press

City Missions
For nearly 30 years the Christian Community Development Association has been a resource for people seeking to do prophetic, non-paternalistic urban ministry. In Making Neighborhoods Whole: A Handbook for Christian Community Development, CCDA co-founders Wayne Gordon and John Perkins, and other veteran and emerging leaders, revisit key principles and lessons learned. IVP Books

A Narrative Ark
Noah’s Flood: Ancient Stories of Natural Cataclysmis a new website with essays, visual media, and conversation on Genesis, other ancient flood narratives, and the resonance of Noah’s story in contemporary culture and climate change. It was started by Ingrid Esther Lilly, a Pacific School of Religion visiting scholar. www.floodofnoah.com

God and Our Devices
Author, filmmaker, and cultural commentator Craig Detweiler explores the gifts and curses of our social media frenzy and teched-out society from a Christian perspective in iGods: How Technology Shapes Our Spiritual and Social Lives. Brazos Press

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'Noah:' Deeply, Passionately Biblical

© MMXIV Paramount Pictures Corporation

by Niko Tavernise: Russell Crowe in NOAH, from Paramount Pictures and Regency Enterprises © MMXIV Paramount Pictures Corporation

I’ll begin by cutting to the chase: Forget most of what you’ve read about Darren Aronofsky’s new film, Noah. It opens Friday. Go see it and decide for yourself.

Having said that, in my opinion Aronofksy’s Noah is a beautiful, powerful, difficult film worthy of the “epic” label. A vivid, visually spectacular reimagining of an ancient story held as sacred by all three Abrahamic religious traditions, it also is the most spiritually nuanced, exquisitely articulated exploration of the ideas of justice and mercy I’ve ever seen on a movie screen.

And despite what you may have heard elsewhere, Noah is deeply, passionately biblical.

The Fallacy of Good v. Evil: A Q&A with 'Noah' Writer Ari Handel

Paramount Pictures & Regency Entertainment / Getty Images

by Niko Tavernise, Russell Crowe in NOAH, from Paramount Pictures and Regency Enterprises; Ari Handel, by Jim Spellman/Getty

Last Sunday in Los Angeles, Cathleen Falsani sat down with Ari Handel, a screenwriter and frequent collaborator with Noah director Darren Aronofsky, with whom he co-wrote the film and the graphic novel, Noah, upon which it was based, to discuss some of the extra-biblical elements of the $150 million movie.

Longtime friends Handel and Aronofsky were suitemates at Harvard University. Before becoming a screenwriter and film producer, Handel was a neuroscientist. He holds a PhD in neurobiology from New York University. He was a producer on Aronofsky’s films Black Swan, The Wrestler, and The Fountain (which he co-wrote with Aronofsky), and had a small role as a Kabbalah scholar in the director’s debut film, 1998’s Pi.

Editor’s Note: The following Q&A contains some spoilers about the film. It has been edited for length.

Q&A: 'Noah' Director Darren Aronofsky on Justice vs. Mercy

Darren Aronofsky on the set of “Noah.” Photo courtesy of Paramount Pictures and Regency Enterprises.

The Noah epic releasing in theaters this Friday promises to be controversial, with director Darren Aronofsky calling it “the least biblical biblical film ever made.” As the story of Noah remains near and dear to people of many faith traditions, the film has already unleashed a flood of criticism.

But Aronofsky says every part of the story fits the biblical narrative. He said the story of Noah illustrates a long tension between wickedness and forgiveness. ”All of it’s a test,” he said. “We were trying to dramatize the decision God must have made when he decided to destroy all of humanity.”

In an interview, Aronofsky described where he got the idea for the film, how he plans to respond to critics, and why he focuses the film on themes of justice vs. mercy. 

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