For much of its long history in the U.S., the Catholic Church was known as the champion of the working class, a community of immigrants whose leaders were steadfast in support of organized labor and economic justice – a faith-based agenda that helped provide a path to success for its largely working-class flock.
In recent decades, as those ethnic European Catholics assimilated and grew wealthier, and as the concerns of the American hierarchy shifted to battles over moral issues, such as abortion and gay marriage, traditional pocketbook issues took a back seat.
If you were overwhelmed by all that election business, you might have forgotten that October just happened, and with it came a new release from one of my personal favorite musicians, Andrew Bird.
Hands of Glory, Andrew Bird’s latest record and companion to March’s Break it Yourself, is the product of a pair of recording sessions prompted by an immense response to Bird’s “old-time” sets on recent tours.
Reinterpreting songs from Break It Yourself and featuring covers of classic country tunes, these “old-time” performances find Bird and his full band playing to a single microphone with an entirely acoustic setup.
Drawing inspiration from these sets, Hands of Glory features two brand new original tracks, a new interpretation of “Orpheo Looks Back” from Break It Yourself and covers of Van Zandt, the Handsome Family, Alpha Consumer and others.
The results are fantastic.