As a missiologist and practical theologian, I can’t help but appreciate the multiple depictions of an embodied faith throughout the drama, in patterns of both faithfulness and dysfunction.
As Republican Ohio Senator JD Vance and his Democratic opponent, Minnesota Governor Tim Walz, compete for the vice presidency ahead of the November election, they bring distinct religious backgrounds — and distinct approaches to the role of faith in public life.
Republican vice presidential nominee JD Vance attended a town hall outside Pittsburgh on Saturday hosted by a Christian nationalist televangelist who believes that Democrat Kamala Harris has an “occult spirit” that runs through her, that she represents the “spirit of Jezebel,” and that she used “witchcraft” during the September presidential debate.
Flamy Grant called in to her morning interview after participating in a day-long silent retreat. Well, not a silent retreat exactly — it was a vocal rest.
After spending the last year touring the U.S. off the success of her album, Grant, who prefers to use her stage name in interviews, needed to rest her voice. Since her rise to Christian music stardom — or infamy, depending on how one feels about a drag queen topping the Christian charts — she has performed in bars, clubs, and churches spreading the good news in glitter.
Ruth Padilla DeBorst told her audience: “There is no room for indifference toward all who are suffering the scourge of war and violence the world round, the uprooted and beleaguered people of Gaza, the hostages held by both Israel and Hamas and their families, the threatened Palestinians in their own territories, all who are mourning the loss of loved ones.”
Less than 48 hours later, the director of the Fourth Lausanne Congress emailed all attendees, issuing a lengthy apology for Padilla DeBorst’s speech.
In this world where only the fittest survive, can a robot’s commitment to help without agenda possibly work?
The amber appears to ooze across the floor like slow-flowing lava. Containing found objects and materials sourced from Salvadoran communities around Los Angeles, Eddie Rodolfo Aparicio’s artwork is expansive and expressive of the materiality of often-marginalized Central American migrants in Southern California.
All magazines have an assumed sense of “we” and “us,” a shared purpose that unites the writers, editors, artists, and readers. Who am I, who are all of you, and what do we have in common as we stare at these words on glossy pages or screens?
Early in The Book of Belonging, a long-anticipated children’s story Bible, author Mariko Clark includes this paragraph: “Think about how cozy and special you feel when someone asks you about your day or wants to learn more about your favorite foods or hobbies. God made us to belong with God! That means God wants to be close and cozy with us. So all questions are welcome!”
In Against Me!’s song “I Was a Teenage Anarchist,” Laura Jane Grace sings, “I was a teenage anarchist / But the politics were too convenient.” The song is a catchy tune that has stuck with me, even if I’ve outgrown the punk-rock-emo scene. But unlike Grace, I have not outgrown my anarchistic impulses.
Popularly, anarchy is associated with “chaos,” but I think of it more in terms of avant-garde jazz, where everyone is working together in their own unique way to create a sort of consensus.
So, when I recently heard of a new book focused entirely on the nexus between anarchism and Christianity, I had to investigate.