The Racial Aesthetics of Burton's 'Weird Christians' | Sojourners
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The Racial Aesthetics of Burton's 'Weird Christians'

By Daniel José Camacho
Fragment of the face of a terracotta statue of Apollo Roman beginning of 3rd century BCE. Original image courtesy of Mary Harrsch. Edited by Candace Sanders. 
May 15, 2020
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Burton and Dreher share similar aesthetic views about Christianity and the past. 

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Fragment of the face of a terracotta statue of Apollo Roman beginning of 3rd century BCE. Original image courtesy of Mary Harrsch. Edited by Candace Sanders.