The Book of Abby | Sojourners

The Book of Abby

Showtime's ‘Work In Progress’ plumbs pain and humor.
A scene from 'Work In Progress' shows Abby, the main character, at a club in pink light.

THE PROPHET JOB had a hard life, but I think even he, if listening to Abby’s story, would say, “Damn.”

He’s not listening to her troubles, though: Abby’s therapist is. No, wait, she’s not listening either, for a reason that will spur Abby’s friends to joke about just how sad Abby’s life really is.

I’m describing Work in Progress, a scripted comedy produced by Showtime and co-written by Tim Mason, Lilly Wachowski (The Matrix, Sense 8), and Abby McEnany, who stars as a fictionalized version of herself.

“Abby is a mid-forties self-identified queer dyke whose life is a quiet and ongoing crisis,” Showtime’s website describes, not revealing that Abby lives with OCD, washing her hands repeatedly and recording her life meticulously in notebooks, in case she forgets anything she’s ever done. It doesn’t reveal that Abby, throughout much of her life, has been called Pat—a reference to the Saturday Night Live character from the early ’90s—and is often mistaken for a man, asked to leave public bathrooms, and struggles with her weight. It certainly doesn’t reveal what we learn in the first few minutes of Work in Progress: In a couple of weeks, if Abby’s life doesn’t get better, she plans to take her own life.

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