Jenna Barnett is the senior associate culture editor at Sojourners and the host of the audio miniseries Lead Us Not. She was born in San Antonio and lives in San Diego. She has a B.A. in sociology and religion from Furman University and an M.F.A in Literary Reportage from New York University.
Before joining the Sojo team, Jenna managed the International Rescue Committee’s urban gardens in San Diego, and worked as a writer for the Women PeaceMakers Program at the Kroc Institute for Peace and Justice.
She has written for McSweeney’s, the Belladonna, and New York Magazine’s Grub Street. You’re likely to find her playing basketball, watching women’s soccer, eating homemade flour tortillas, or taking her time in Scrabble.
Follow her on Twitter @jennacbarnett and see what she’s creating at jennabarnett.com.
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Make Way for the Female Antihero: TV Takes a Page from the Bible
'Orange Is the New Black' cast, photo via Netflix
These days, female television characters can almost do it all. But we, the media consumers and producers, are still deciding if we should let them make mistakes, too.
And I don’t mean just the I-dated-the-wrong-handsome-doctor mistakes, or the I’m-an-overprotective-mother mistakes. I mean the type of mistakes that warrant the label of antihero. Merriam-Webster defines an antihero as “a protagonist or notable figure who is conspicuously lacking in heroic qualities.” Over the past several years, TV has become saturated with male antiheroes. Breaking Bad made a meth dealer Emmy gold, and Dexter garnered a cult following behind a sociopathic vigilante. But hey, boys will be boys.
Girls will be girls, too, if we let them. And girls aren’t always perfect. John Landgraf, president of FX, says it’s much harder to find acceptance for the female antihero: “It's fascinating to me that we just have really different, and I think, a more rigorous set of standards for female characters than we do for male characters in this society.”