Jenna Barnett is an associate culture editor for sojo.net.
Jenna was born in San Antonio, Texas, and has found home in California, Georgia, South Carolina, and Washington, D.C. She has a B.A. in sociology and religion from Furman University and an M.F.A in Literary Reportage from New York University.
Before joining the Sojourners team, Jenna managed the International Rescue Committee’s large urban gardens in San Diego, and worked as a Peace Writer for the Women PeaceMakers Program at the Kroc Institute for Peace and Justice, where she used creative nonfiction, interviews, and conflict analysis to tell the life story of Pauline Dempers, a human rights activist and torture survivor from Namibia. It's a life goal of Jenna's to continue uplifting the stories of women who are cooler than she is.
Posts By This Author
STORYMAP: 5 Game-Changing Aid Groups
A map depicting five quality aid groups nationally and abroad
New & Noteworthy
Calling to the Deep
In Radical Spirituality: Repentance, Resistance, Revolution, Jason Storbakken, co-founder with his wife, Vonetta, of the Radical Living Christian community in Brooklyn, N.Y., fluidly weaves scripture work with political critique and his own fascinating history in this call to find deeper life in Christ found on the margins. Orbis
VIDEO: A Dream Deferred in Ferguson
Ryan Herring reads Langston Hughes' "Harlem" as photos of Ferguson are displayed.
5 Pop Culture Jesuses
The Jesus of pop culture is multiethnic and well-traveled, pious and irreverent, singing and silent. A fictional portrayal that is blasphemy to one viewer is sacred to another. The diversity of Jesus’ depictions reflects the diversity of the pop culture audience. Most recently, another fictional Jesus has appeared in Compton, smoking weed and promoting “black-Latin” reconciliation in the new comedy Black Jesus. The sitcom presents a Jesus who uses at times crude language to ultimately promote a consistent gospel message of love. While this Jesus “shares in the pleasures” of his largely poor, African-American community, “he also challenges their prejudices, violence, and self-seeking.” Read more in Danny Duncan Collum’s “The Christ of Compton” (Sojourners, November 2014).
Check out this list to read about five portrayals of Jesus in recent pop culture history.
1. Lion Jesus
In The Chronicles of Narnia, C.S. Lewis sets up a less than subtle allegory of Jesus in the form of a lion named Aslan. Aslan transforms a void into a world through song. He welcomes children. He dies and comes back to life. But still, he is a lion, fierce and elusive, helping to convey both the intimidating power and the radical love of Jesus.
“‘Safe?’ said Mr. Beaver; ‘don’t you hear what Mrs. Beaver tells you? Who said anything about safe? ‘Course [Aslan] isn’t safe. But he’s good. He’s the King, I tell you.’” –The Lion, The Witch, and The Wardrobe (1950)
Make Way for the Female Antihero: TV Takes a Page from the Bible
These days, female television characters can almost do it all. But we, the media consumers and producers, are still deciding if we should let them make mistakes, too.
And I don’t mean just the I-dated-the-wrong-handsome-doctor mistakes, or the I’m-an-overprotective-mother mistakes. I mean the type of mistakes that warrant the label of antihero. Merriam-Webster defines an antihero as “a protagonist or notable figure who is conspicuously lacking in heroic qualities.” Over the past several years, TV has become saturated with male antiheroes. Breaking Bad made a meth dealer Emmy gold, and Dexter garnered a cult following behind a sociopathic vigilante. But hey, boys will be boys.
Girls will be girls, too, if we let them. And girls aren’t always perfect. John Landgraf, president of FX, says it’s much harder to find acceptance for the female antihero: “It's fascinating to me that we just have really different, and I think, a more rigorous set of standards for female characters than we do for male characters in this society.”