Dhanya Addanki

When Velasquez came to the border, she was taken to a detention center in Texas where she was held for a month and a half before making her way to Colorado. She met her husband in Colorado and the couple have three children who are American citizens. She lost a request for asylum in 2016 and was given a year-long stay of deportation in the U.S. Immigration officials indicated that they would not renew her stay of deportation any longer. So instead of going to her Aug. 9, 2017 check in with ICE, Velasquez and her family went to Park Hill and Temple Micah

Sometimes, my great-grandmother used to sleep in the fields — not because she didn’t have a home, but because she wanted to make sure that no one stole her crop. My dad often tells me that she was ready to beat up any thieves that came at the dead of night and I’m sure there were instances where she did. I often picture this moment when I need strength. I think about her petite frame in a cotton sari knowing that she could tackle whatever danger came her way at night. But I also think about how she might have felt fear creep up and how she might have felt anger, too, if she saw someone attempting to sabotage her crop. Because no matter how nurturing and gentle she might have been, she could also feel anger and stand up for herself when she knew she was being wronged.

THIS IS A BOOK I wish I could have had when I was 15.

While there are numerous (and much needed) stories about the immigrant experience, Mitali Perkins’ young adult novel, You Bring the Distant Near, fully captures nuances of relationships, racism, death, family, feminism, sexism, and love in profound ways. It’s a story that’s not often told with such clarity and depth.

Reading this book was like staring into a mirror and seeing my reflection—sometimes surprised, sometimes in tears, and other times nodding in understanding.

It weaves together the lives of five women from three generations—Ranee, Tara, Sonia, Anna, and Chantal (nicknamed Shanti)—and focuses on Tara and Sonia’s journey from when they were teenagers to when they were mothers with successful careers.

Ranee is a strong-willed, stay-at-home, Indian (Bengali) immigrant mother who comes to the U.S. with her husband for opportunity. She is the mother of Tara and Sonia. Tara is charming, peacemaking, and theatrical in the best ways. She is a shape-shifter of sorts, able to fold into any culture by studying and learning what traits she needs to be the most ideal version of that culture (when she arrives in the U.S. she emulates Marcia Brady). Sonia is fiercely intelligent, outspoken, and a brilliant writer. Anna is Tara’s creative, brazen daughter who is proud of her Indian roots. Shanti is Sonia’s athletic and easygoing daughter who loves math and dance.

Each woman represents a different side of femininity that together shows the reader the importance of multiple, empowering narratives.

4. Do not wait to have a daughter to finally respect women.

You can respect us because we are human, with all of the glory, nuance, and mess that comes with it. You do not need to imagine a woman as your mother or aunt or cousin to respect her. You can respect her because of the soul that she carries and the life that she lives. Her relationship to you, her partner, her father, or anyone else should not be what defines your respect.

Help them understand they have a voice.

Elizabeth Brandt, a mom and a participant of the play-in, takes her young daughters to her senators’ office. She believes she believes this will lay a foundation for her daughter to speak up throughout her life.

“She may not have the most articulate things to say — last year when she was three she asked them not to throw trash in the ocean which our senators don’t do — but she’s learning that she has a voice in this process and that’s about the most important thing,” said Brandt.

This is reminiscent of a time when European and American men went to Asia in the attempt to save Asian women from their own countries, or use Asian women for their pleasure, or — in many cases — both. In Pierre Loti’s 1983 novel, Madame Chrysanthéme, he writes a story of an affair between a French naval officer and a wife he’s taken in Japan. Loti describes the woman and her friends as docile, submissive, and overtly feminine, much like how Mantis is described by other characters in the movie, from Ego to the overtly masculine Drax.

No one has yet been willing to provide information about what Rising Hope Mission Church pastor Keary Kincannon calls a "confusing ordeal."

"We have no idea where they are, and we’re hearing reports that guards won’t even give detainees their one call," Kincannon said.

“The practices of Immigration and Customs Enforcement right now are not in line with who we say we are as a government and a country,” Kumpf said. “What they did was legally on the line of violating the Sensitive Locations Memo. That’s extraordinarily morally reprehensible.”

Drafted in 2011, the Sensitive Locations Memo places restrictions on ICE enforcement in sensitive locations such as schools, places of worship, and hospitals. Many at the gathering felt that the sensitive lines of sanctuary were crossed on the morning of the Feb 8.

Deeply tied to Singh’s spirit are his thoughts about justice and equality. They are not only ideals of the Sikh faith and intertwined in his spiritual practice, but a natural state of being for Singh — especially since he started his Captain America performance art.