Danny Duncan Collum

When he died, Dr. Benjamin Spock had been a household name for more than 50 years. His book Baby and Child Care, first published in 1946, coincided with the first swell of the baby boom. It kept selling long after the boom was gone. As of last year, the book had sold more than 40 million copies and was available in 39 languages.

That makes Benjamin Spock a major pop culture figure. Even in his dotage, he could always command a page in Parade magazine and get his pet causes onto the evening news. In his afterlife he will probably become a figure of urban folklore. In the next century, people will associate the name "Spock" with child-rearing without quite knowing why.

And the book will stay in print. It will stay around because it works.

At our house we’re already on our second copy. The pocket-sized paperback edition fell apart by the time our first child was 3. The pages on fever and nausea were the first to go. Now we have a sturdier trade paper version. It is underlined, dog-eared, and stuffed between the pages with notes and handouts from our own doctor, old recipes for baby food, and articles torn from magazines about parenting.

Dr. Spock was the one who told us that sudden, inexplicable fever in our 8-month-old baby, followed by an equally inexplicable rash, was just a fairly common infant ailment called roseola and nothing to worry about. Our pediatrician was quite impressed when my wife presented the baby to her and said, "It’s roseola, isn’t it?" Dr. Spock also told us, yes, you really do need to take that baby to the doctor with that 104 degree temperature, even if it is the weekend, because sometimes it doesn’t just go away.

Oscar time is a'coming, and with it another chance to consider the relationship between Steven Spielberg's world and our own.

The defining cultural struggle of the early 21st century will be between the local and the global. This is already familiar ground in this column.

During Easter weekend this year, I finally visited the Rock and Roll Hall of Fame and Museum in Cleveland.

''Of the making of books, there is no end" goes a moth-eaten quotation. But maybe there is after all. At least that's the war cry of the latter-day Luddites.

The Atlanta Summer Olympics descended upon media-mad America like a vast mind-numbing, soul-sapping fog. The Olympic telecast, in any season, is like the Deep South heat so much discussed at the Atlanta games: It is there, and it won't go away. Mere mortals are powerless over it.

The other Leap Year staples—the Democratic and Republican political conventions—were once like this, too. The coverage was gavel-to-gavel and wall-to-wall for at least four days per party on all three networks; even political junkies got sick of it. Now the conventions get, maybe, an hour of prime-time per night. This is all part of an inexorable process that will lead to the banning of all not-for-profit activities by the year 2020.

The word from the sales department is that politics doesn't pay, at least not over the counter, in public. So the conventions are off the screen. There is no commercial payoff to Jefferson's ideal of an informed and enlightened electorate. Like all other values without price, that ideal is out the window in the Free Market Era.

The Olympic Games used to carry an aura of unsightly non-profit, touchy-feely ideals. The Games were inherited from the ancient Greeks. Every four years their best athletes climbed to the home of the gods, Mt. Olympus, to offer the finest of human performance.

The Games were revived at the turn of this old century with a lot of mush about international brotherhood and something called "amateurism." That was supposed to mean running the race or playing the game for the pure love of it. Excellence for its own sake and perfecting a skill simply for the joy of a job well done were suitable goals.

For weeks this spring I was obsessed with the (alleged) Unabomber.

Richard Nixon got his 15 minutes of media redemption last year...from the grave.