Danny Duncan Collum, a Sojourners contributing writer, teaches writing at Kentucky State University in Frankfort, Kentucky. He is the author of the novel White Boy.

Posts By This Author

Carriers of the Torch

by Danny Duncan Collum 01-01-2004

The beer-commercial sensibility of deliberate, cultivated empty-headedness is pervasive.

Rebellion as a Marketing Strategy

by Danny Duncan Collum 11-01-2003

Today rock dozes comfortably in the belly of the beast.

Open Letter to Dennis Kucinich

by Danny Duncan Collum 09-01-2003
A political realignment in this country isn't possible until we heal the cultural breach that afflicts us.

It Came From Hollywood

by Danny Duncan Collum 07-01-2003

There's been a resurgence of entertaining protest - or, at least, protesting entertainers.

Marching Toward Jerusalem

by Danny Duncan Collum 05-01-2003

The Mekons: Part of the chain of holy warriors.

A Clear Channel With Nothing On

by Danny Duncan Collum 03-01-2003

The high cost of corporate radio.

Big Tobacco Masters Newspeak

by Danny Duncan Collum 03-01-2003

Philip Morris is the public face of American tobacco.

Fighting a Cultural Battle

by Danny Duncan Collum 01-01-2003

As this is written, rescue workers are still separating the bodies from the bamboo after the terrorist bombing of a nightclub in Bali.

Books for Giving and Receiving

by Danny Duncan Collum 11-01-2002

A holiday collection.

Facing Up to Tragedy

by Danny Duncan Collum 11-01-2002

Bruce Springsteen dives straight into the pain…and the ambiguity.

Life During Wartime, Again

by Danny Duncan Collum 09-01-2002

I'm reluctant to mouth off about something like the 30th anniversary of the Watergate break-in and all that followed. It makes me feel old.

Don't Get Above Your Raisin'

by Danny Duncan Collum 07-01-2002
In country music, the greatest sins are pretense and snobbery.

That sentence is the title of historian Bill Malone's new book about country music (the subtitle is Country Music and the Southern Working Class). Before that, in 1981, it was the title of a hit record by country music neo-traditionalist Ricky Skaggs. In 1951, it was recorded by Lester Flatt and Earl Scruggs. But long before any of this, it was (and still is) a common piece of folk wisdom among lower-class white people, especially in the South.

For many people of other regions or social classes, the saying may sound odd, counter-intuitive, and even un-American. In America, we're often told that "getting above your raisin'"—transcending the circumstances of birth—is the main point of existence. If Abe Lincoln had stayed in the log cabin, who would care? If Elvis had become a sincere but flat-broke folk singer, we wouldn't know his name. Americans don't buy stories about virtuous poor boys who stay poor, and we're offended at the suggestion that there might be something wrong with individual self-realization. The impulse to rise above our origins is buried deep in our national DNA. Immigrants have always come here to escape poverty and persecution and become rich and powerful. The right to perpetual self-invention might as well be enshrined in the Constitution.

The heretical wisdom embodied in "Don't get above your raisin'" suggests that roots, family, communal identity, and solidarity are all more important than individual striving or success. This is a way of thinking that most American intellectuals would associate with "traditional" or "pre-modern" cultures. But Malone, a professor emeritus in history from Tulane University, is also a good old boy from East Texas who knows that the preference for group loyalty and solidarity has lived on in modern America among rural people and blue-collar workers. In Don't Get Above Your Raisin', he argues persuasively that, in the last half of the 20th century, country music, which expressed the daily concerns of white Southern working people, broke out of the Southern region to become the cultural voice of America's white working class.

The Outlaw Rebel

by Danny Duncan Collum 05-01-2002

When I heard about the death of country singer Waylon Jennings in February, my mind flashed back to the day I first bought one of his records.

How to Live Forever

by Danny Duncan Collum 03-01-2002
Studs Terkel reflects on life, death, and oral history.

The Rockabilly Movement

by Danny Duncan Collum 03-01-2002

During the month of March, PBS affiliates will be airing a documentary called Welcome to the Club—The Women of Rockabilly.

Why "Imagine"? Why Now?

by Danny Duncan Collum 01-01-2002
The song has again become a vital statement of hope and even a resource for resistance.

Harry Potter Comes Home

by Danny Duncan Collum 11-01-2001

‘‘The [Harry Potter computer] game will feature a series of challenges, all inspired by the original book's storyline..."

Worth Noting…

by Danny Duncan Collum 11-01-2001

For more than 20 years, Elie Wiesel has been America's official bearer of memory, keeper of accounts, and arbiter of propriety regarding the Holocaust.

Rock's Little Secret

by Danny Duncan Collum 09-01-2001
Rock has done the most to break down social conventions and cultural norms. So where are the gay rock stars?

Flagging Racial Progress

by Danny Duncan Collum 07-01-2001

Mississippi votes to keep the 'Stars and Bars.'