Cathleen Falsani is an award-winning religion journalist and author of several nonfiction books, including The God Factor: Inside the Spiritual Lives of Public People, Sin Boldly: A Field Guide for Grace, and The Dude Abides: The Gospel According to the Coen Brothers. She is co-host of the new audio magazine/podcast The Shwell. Follow her on Twitter @GodGrrl.
Posts By This Author
Why We (Still) Love Pope Francis
“We do not remember days,” the Italian poet Cesare Pavese said, “we remember moments.”
Pavese’s words have come to mind often as I’ve thought about Pope Francis’ historic visit to the United States, particularly when people have asked me what the “best part” of covering the papal visit was for me.
My answer is always the same: hands down the best part was watching people see (and sometimes meet) Pope Francis in person for the first time.
Breaking In: Pope Francis in a Philly Prison
On May 31, 1973, a group of inmates at Philadelphia’s Holmesburg Prison walked into the deputy warden’s office to ask for the establishment of a special prayer room for Muslim prisoners. When Deputy Warden Robert F. Fromhold denied their request, inmates turned on him and Warden Patrick N. Curran, stabbing both men dead with shivs.
On the morning of Sept. 27, the last day of his first trip to the United States, Pope Francis visited a Philadelphia prison named for Curran and Fromhold, where he expressed solidarity with the female and male prisoners.
“I am here as a pastor, but above all as a brother, to share your situation and to make it my own,” he said, and bestowed one-on-one blessings upon a number of inmates — including several who appeared to be Muslim.
Bless Me Father, for I Have Sinned
“Brace yourself, Father,” I said, taking a seat in a plastic chair facing my would-be confessor in Madison Square Garden’s dimly lit Madison Bar on Friday, a few hours before the start of the papal mass.
The bearded Franciscan priest in his dove gray vestments laughed and said, “No way. It’s all fine. Think of it as a big embrace of forgiveness from your heavenly father.”
OK. I tried to warn you.
“Let me see if I remember how this goes,” I began. “Bless me father for I have sinned; it’s been 35 years since my last confession.”
He tried not to look startled and almost pulled it off.
“Well, I’m glad you’re here,” he said, smiling kindly as he reached beneath his cassock to pull out a small paperback tract that, he explained, contained a list of questions that he could ask me that might make recounting all of my trespasses since the third grade a little less daunting.
In U.S., Pope's Actions, As Usual, Tell a Richer Story
And then Wednesday night, at the end of a marathon day in the nation’s capital, after canonizing St. Junipero Serra at the National Basilica, the pope made an unscheduled, last-minute stop to visit with the Little Sisters of the Poor, a Catholic religious order dedicated to caring for the elderly. (The sisters gained notoriety for their lawsuit against the federal government over Obamacare’s contraception mandate, but reportedly the pope made no mention of it when he stopped by the Washington convent.)
“It’s his actions that give credibility to what he says,” Sister Mary Richard, a nun from Queens Village, N.Y., who met “Papa Francesco” during the surprise visit, told me Thursday morning as we both waited at Union Station to board an Amtrak train bound for New York City.
“He was exhausted but he came. He took the time to come. We take care of the elderly and he said, ‘Thank you. People just throw them away or get rid of them.’
“When he arrived the Mother Superior went out to greet him and she said, ‘Holy Father you must be so tired.’ And he said, ‘Priests and bishops get tired, but you don’t count the cost. But nuns, they never complain.’ “It’s his attitude, ya know?”
What the Pope Saw On His Drive Through D.C.
As Pope Francis’ motorcade made its way from the Joint Base Andrews in Maryland to the Apostolic Nunciature in Washington, D.C., late Tuesday afternoon, it made a hard left from scenic Rock Creek Parkway onto Massachusetts Avenue, wending its way northwestward at a fast clip along the manicured thoroughfare known as Embassy Row.
Riding in the passenger-side back seat of his tiny, black Fiat 500L, the 78-year-old pontiff leaned his body toward the open window, stuck his arm out, turned his smiling face toward the street, and waived at the modest clutches of pedestrians law enforcement had allowed to stand along the sidewalk to greet him as he whizzed by.
The pope rode past the South African embassy with its statue of Nelson Mandela, right arm raised in a fist of solidarity, out front — and then, almost directly across the street, the hulking statue of former British Prime Minister Winston Churchill raising two fingers in a peace sign (or to hail a cab) at the southernmost end of the British Embassy’s sprawling grounds.
The Mandela and Churchill statues almost high-five each other across Massachusetts Avenue while the pope’s humble hatchback, surrounded by massive Secret Service SUVs and swarms of police motorcycles, passed beneath their outstretched arms.
I wonder if Francis noticed the statues, and thought of the men — so different from one another, but each remembered as a hero — and wondered what his own place in history might be.
Lila Pays It Forward: Helping LGBT Refugees Find a New Home, Life
Currently, 78 nations worldwide criminalize same-sex relations; of those, seven may impose the death penalty for consensual same-sex conduct, according to ORAM. In Uganda, for instance, where there has been capital punishment for homosexual activity in the past, homosexuality currently is considered a criminal act punishable by a 14-year prison sentence.
At a recent JFCS-East Bay staff meeting, Weiss, director of refugee and immigrant services, recounted the story of a recent LGBT refugee arrival that brought many staff members to tears.
"One person who I had the honor to pick up at the airport and witness his experience and his mind was blown," Weiss began. "He went from having nothing — nobody to help him, in fear for his life, 23 years old (my daughter’s age) — having to flee barefoot, climb over a fence, escape prison, run for his life, police find him at his cousin’s house, re-arrest him … the story is just incredible. Multiple times fleeing on foot with no money, no water. Being in a refugee camp. Being beat up by a group of Somali men in the refugee camp that was supposed to be his refuge.
"Being physically and of course emotionally traumatized. And then getting on a plane — not knowing where he was going until he’s about to travel and then finding out he’s going to San Francisco," she continued. "On the way to the airport, we had this wonderful Iraqi LGBT volunteer who came five years ago as a refugee himself and he says to me, five minutes before the [new] guy arrives, ‘I’m five years old; I was born when I came down that escalator five years ago and this guy is about to be born.
"And down the escalator comes this jet black African guy who is obviously very gay — in the way you can tell by his escalator ride," she said, drawing knowing laughter from the staff, some of whom are LGBT themselves. "He couldn’t hide it. That’s why his life was in danger. On the way back from the airport, our volunteer says that after we drop him off, he’s going to The Castro, and [the new guy] says, ‘Can I come with you?!’
"It’s really just remarkable to witness his journey from hell to heaven," Weiss said.
U2's Songs of Transcendence
Sunday evening I did something I haven't done in close to 30 years: I went to an actual record store and bought a brand-new U2 album on vinyl, took it home, pulled out the turntable, put on my headphones, sat on the floor, and stayed up way too late reading the liner notes and listening to the songs over and over again.
Lord, how I've missed this particular ritual.
When I was a teenager, late Sunday nights were when I indulged my secret pleasure by listening in bed (clandestinely so as not to incur the wrath of my parents for being awake well past my bedtime) to the "King Biscuit Flower Hour" on WPLR, the classic rock station in New Haven that was one of two (the other being a horrendous pop-40 station) that came in clearly on the FM stereo in my upstairs bedroom.
I listened, religiously, every Sunday night for years, hoping to hear a song by one of the British New Wave bands of which I was fond, or, if I was particularly lucky, by my favorite band on the planet: U2.
Sometimes weeks would go by without hearing a U2 song on those late Sunday nights, my ear pressed to the transistor radio secreted next to the pillow on my twin bed. But then, like a bolt of lightning — I'd hear Bono's voice or Edge's guitar begin to keen. It was a wee bit magical, although in retrospect today I might call it sacred.
All the waiting and listening was worth it. Always.
'Noah:' Deeply, Passionately Biblical
I’ll begin by cutting to the chase: Forget most of what you’ve read about Darren Aronofsky’s new film, Noah. It opens Friday. Go see it and decide for yourself.
Having said that, in my opinion Aronofksy’s Noah is a beautiful, powerful, difficult film worthy of the “epic” label. A vivid, visually spectacular reimagining of an ancient story held as sacred by all three Abrahamic religious traditions, it also is the most spiritually nuanced, exquisitely articulated exploration of the ideas of justice and mercy I’ve ever seen on a movie screen.
And despite what you may have heard elsewhere, Noah is deeply, passionately biblical.
The Fallacy of Good v. Evil: A Q&A with 'Noah' Writer Ari Handel
Last Sunday in Los Angeles, Cathleen Falsani sat down with Ari Handel, a screenwriter and frequent collaborator with Noah director Darren Aronofsky, with whom he co-wrote the film and the graphic novel, Noah, upon which it was based, to discuss some of the extra-biblical elements of the $150 million movie.
Longtime friends Handel and Aronofsky were suitemates at Harvard University. Before becoming a screenwriter and film producer, Handel was a neuroscientist. He holds a PhD in neurobiology from New York University. He was a producer on Aronofsky’s films Black Swan, The Wrestler, and The Fountain (which he co-wrote with Aronofsky), and had a small role as a Kabbalah scholar in the director’s debut film, 1998’s Pi.
Editor’s Note: The following Q&A contains some spoilers about the film. It has been edited for length.
Anderson Creates Sacred Cinematic Space in 'Grand Budapest Hotel'
To my mind, all of Wes Anderson’s films are masterpieces in the truest sense of that word. But his most recent creation, Grand Budapest Hotel, is, perhaps, his chef d’oeuvre.
Anderson’s eighth feature-length film, which opened in limited release last week, Grand Budapest Hotel is a whimsical, hilarious, and surprisingly touching tale laden with nostalgia for a world and way of life most of us (including the 44-year-old director himself) never have experienced.
Set in the fictional Eastern European mountain region known as the “Republic of Zubrowka,” the plot centers around the character and adventures of Monsieur Gustave H. (Ralph Fiennes), the concierge of the eponymous Grand Budapest Hotel, one of Europe’s palatial “grand hotels. Gustave is something of a dandy, a throwback to a bygone era even in his heyday of the 1930s on the cusp of World War II.