As I remember it, I was first introduced to Jamie Grace’s career while listening to a Christian radio show in 2011. At the time, she was a 19-year-old college student majoring in child and youth development, recently signed to a major Contemporary Christian Music (CCM) label, and was less than a year away from being nominated for the 2012 Grammy Award for Contemporary Christian Music Song. She was a Black woman in an industry largely made up of white men; she was open about her diagnoses of Tourette syndrome, attention-deficit/hyperactivity disorder, and obsessive-compulsive disorder at a time when I wasn’t aware of many people who were; and she was a very skilled guitar player, songwriter, and singer. As such, it seemed obvious that she had a bright future in an industry that needed new energy.
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