state violence

Satire and Political Shadows

Sacha Baron Cohen as The Dictator

IN THE 1930s, the Marx Brothers took political satire seriously enough to make a comedy about imperialism. Duck Soup stands today as one of the most comforting movie antidotes to the depressing post-9/11, enemy-until-proven-friend political culture. The 1960s saw Stanley Kubrick upgrade the cinematic presentation of war into Dr. Strangelove: Or How I Learned to Stop Worrying and Love the Bomb—employing the Screwtapian dictum that if the devil cannot bear to be mocked, then the best way to reveal the horror of war is to laugh at it. A decade later, Mel Brooks attacked—and transcended—white supremacy in Blazing Saddles, a film whose coruscating offensiveness is merely a mirror to our own prejudices. Sacha Baron Cohen is the evident successor to the Marxes, Kubrick the comic satirist, and Brooks. (Some of Michael Moore’s work, and both Armando Iannucci’s In the Loop and Chris Morris’ Four Lions, deserve attention in this light too.)

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