Scholars of Dylan — and they are legion, with many offering entire courses on the singer’s record catalog — have long highlighted the religious imagery of his work. From Old Testament references in “All Along the Watchtower” (1967) and “A Hard Rain’s A-Gonna Fall” (1976) to the New Testament basis of “Gotta Serve Somebody” (1979) and the spiritual yearning of “Thunder on the Mountain” (2006), Dylan’s lyrics and music have long reflected his own restless, seeking soul.
A while back I had an opportunity to sit down and talk with up-and-coming singer-songwriter Nataly Dawn about faith and songwriting. Dawn grew up in France, went to Stanford for undergrad, and made it big on YouTube with a duo called Pomplamoose before signing with Nonesuch records and starting her solo work.
This interview was edited for length and content.
Nataly: I have to warn you, I’m in a little bit of a food coma; I just made a really big brunch. I had probably five pancakes.
Brandon: Wow. Impressive. That’s awesome.
Earlirer this week, the latest of these online Occupy groups -- OccupyMusicians.com -- launched a press release, declaring solidarity with the 99 percent as a community of musicians, stretching across a wide scope of genres and fan bases. Daily, collective support of the movement is growing.
(+Video may contain coarse language+)
Indie music darling, Jeff Mangum, who rarely plays in public, surprised #OccupyWallStreet protesters in New York City earlier this week with an impromptu concert. A New Jersey singer-songwriter pens two songs for revolutions. And an order of Catholic nuns offer free mp3 downloads of a protest song inspired by the life of St. Francis of Assisi.
There's roads and there's roads And they call, can't you hear it? Roads of the earth And roads of the spirit . . .
- Bruce Cockburn's "Child of the Wind"
Mali. Mozambique. Central America. The Himalayas. Kosovo.