science fiction

Mitchell Atencio 9-22-2021
A row of people in astronaut suits

Image from For All Mankind

ONE DOES NOT need to look hard to find a new myth forming about the great beyond. The narrative is that space travel will solve our woes—specifically the woes of racial capitalism. And this myth is appearing everywhere, in reality and fiction.

Take, for example, billionaire Richard Branson’s comments before Virgin Galactic’s suborbital mission in early July.

“Imagine a world where people of all ages, all backgrounds from anywhere, of any gender, or any ethnicity have equal access to space,” Branson told the press. “And they will in turn, I think, inspire us back here on Earth.”

Branson and fellow billionaire Jeff Bezos are in a 21st century space race, trying to justify their extreme spending to commercialize the cosmos with the idea that space travel can dissolve a litany of struggles.

The new space race is not so different from the first—the winner advances their power and reach. Between the 1950s and 1970s, the United States and the Soviet Union raced to space, then to the moon, largely for the same reason. The U.S., it might be said, won the space race by being the first to the moon (and we are still the only nation to have ever put people on the moon).

But what if things were different? This is the question explored by For All Mankind (Apple TV+), which released its second season in April. It is an exploration of a world in which the Soviets win the race to the moon, thereby extending the space race in perpetuity. The first season takes place in the ’70s, the second jumps to 1983, and the decade-jump trend will continue for all seven seasons, according to the creators.

Rebekah Fulton 1-26-2018

Image via Marian Wood Kolisch/Flikr

These field notes of a fictional ethnographer on an imagined planet touch on a truth: As a woman who was conditioned to see God as father, my role as a Christian was shaped by the nature of a father relationship. And while this may not inherently be harmful, it is limiting. In The Left Hand of Darkness, I was invited to step into and imagine a world where gender was not a burden, privilege, or factor — for me, or for God.

Ryan Herring 10-22-2015

Image via /Shutterstock.com

I recently picked up a fascinating book called Octavia's Brood co-edited by Walidah Imarisha and adrienne maree brown.

In a discussion about the book, Walidah Imarisha said, "All organizing is science fiction. What does a world without poverty look like? What does a world without prisons look like? What does a world with everyone having enough food and clothing look like? We don't know. It's science fiction, and it is as foreign to us as the Klingon homeworld."

I had never heard of organizing being discussed in such a way, and it led me to reflect on the importance of envisioning and dreaming of the kind of society we fight to create. I also found myself reflecting on this statement in a different light: All organizing is also theological and spiritual. A simple explanation of this is that organizing and activism is faith in action.

Ernesto Tinajero 4-25-2011
Ah, the voice of Ayn Rand from St. Petersburg, Russia rises again with the opening of a new movie based on her novel, Atlas Shrugged.
Debra Dean Murphy 7-26-2010

I've been reading Paul Harding's debut novel, Tinkers, which was this year's surprise Pulitzer Prize winner. It's a modest tome -- slim of build, light in the hand.

Gabriel McKee 10-24-2008

[Editor's Note: In Sojourners' newest issue there's an

Elizabeth Palmberg 10-17-2008
Some -- okay, a lot -- of science fiction treats religion, and even spirituality, as pre-rational claptrap or dangerous authoritarianism.