The way fans reacted to Dolores Hart’s decision to become a cloistered nun, you might have thought the movie star had announced her intention to kill herself.
Even close friends and family could not fathom why this Grace Kelly look-alike, who gave Elvis his first on-screen kiss and had her pick of acting jobs, would stow herself away in a nunnery for the rest of her life.
As if to test her resolve in those weeks before she left Hollywood, Universal Studios offered her a role opposite Marlon Brando, a role she turned down shortly after she broke off her engagement to Don Robinson, a kind and handsome businessman who loved her intensely.
“I find hypocrisy all over our lives – especially mine – and certainly in the church. … I think Jesus loves everybody. Everybody. The second we call somebody a ‘nonbeliever,’ we have put a wall up between us and them. They are all children of God.”
With a wink and a crazy-eyed smile, Shadyac was, ostensibly, calling the crowd on its own … uh … baloney.
“Forgive me, I’m personally a little tired – God’s not, but I am – of khaki-wearing, Docker-delivering, Christianity,” he said. “If you’re out there in Dockers or khakis: God loves you, but I’m still a work in progress.”
And, when given the chance, Shadyac gently corrected the tacit implication that Hollywood is Babylon.
“You know what I would say to the church, to you guys, if I had to? ‘Come on. Let’s stop it,’” the director began. “We have become so whitewashed that when I literally say the word ‘ass’ – which is actually in the anatomical dictionary – because we are so born of the Puritan fear [you freak out]. Guess what? God made the ass. He made the ass.
“You’ve just gotta get over that. I don’t believe the world is godless. Because if I believe in omnipresence and omniscience, and I take the Word at its word, that God is in EV-ERY-THING,” he said. “When another person is loving another person, God is all over their lives. I don’t need to judge them and to tell them where God is in or out or what words they need to say. That is not up to me.”
LOS ANGELES — No sooner had Eric Andrews arrived on the set of The Lost Valentine, a 2011 Hallmark Channel movie starring Jennifer Love Hewitt and Betty White, when his neckwear attracted attention.
“People are looking at me, and trying to figure out who I was,” he said. “One of the actors came up and said, ‘Now, are you an extra for the wedding scene that is being shot?’”
But the Roman collar was no prop.
Andrews’ credentials as an ordained Roman Catholic priest and Hollywood producer make him a rarity in both religious and entertainment circles. The 48-year-old describes himself as too liberal for most priests and too conservative for most agents.
Nothing was tortured more in the making of Kathryn Bigelow’s film Zero Dark Thirty than the truth about torture.
While it’s just a movie, it runs the risk of becoming the basis for a false view of reality for millions of moviegoers who have largely ignored a decade of debate about the efficacy of the United States sanctioning torture.
To dismiss the movie as simple entertainment ignores the impact seeing it has on our perception of reality, even when we understand we are watching actors in a — mostly — pretend setting.
The fact that Zero Dark Thirty was nominated this week for an Academy Award for Best Picture only underscores the importance of understanding what it gets wrong about torture.
Week end's latest news as well as a few pieces you might have missed from the past few days. Check back on Sunday for a review of "The Mighty Macs," a few longer essays from SoJo staff and friends, and the latest news on the U.S. troop withdrawal from Iraq after nine years of war.
I've been reading Paul Harding's debut novel, Tinkers, which was this year's surprise Pulitzer Prize winner. It's a modest tome -- slim of build, light in the hand.
After the synchroblog last week and all the discussions surrounding the question of if the emerging church is too white, I've had a number of interesting discussions regarding the ways in which the voice of the subjugated other (subaltern) finds a space
Hollywood isn't real life, but when real life (mine and the lives of the actors) and Hollywood converge it is great fodder for thinking and conversation. Peter and I can't stop talking about a recent date night movie, Up in the Air, starring Vera Farmiga and George Clooney.
The last two movies that my wife and I had the chance to watch were Avatar and The Blind Side. Not sure how that happened, but both movies had very rich missiological and race themes to them. Or maybe I just see everything in that way.