HUZZAH! IT'S BANNED BOOK WEEK!
"I have no interest in megachurches with jocular millionaire pastors," Ebert writes. "I think what happens in them is sociopolitical, not spiritual. I believe the prosperity gospel tries to pass through the eye of the needle. I believe it is easier for a Republican to pass through the eye of a needle than for a camel to get into heaven. I have no patience for churches that evangelize aggressively.
"I have no interest in being instructed in what I must do to be saved. I prefer vertical prayers, directed up toward heaven, rather than horizontal prayers, directed sideways toward me," he continued. "If we are to love our neighbors as ourselves, we must regard their beliefs with the same respect our own deserve."
The Gubbio Project, which helps churches become refuges for homeless people throughout the U.S., recently earned a new fan: Author Anne Rice. "When I was in San Francisco, I visited St. Boniface Church in the Tenderloin and was moved by the sight of many peaceful homeless people sleeping in the pews of the church," Rice wrote on her Facebook.com page earlier this month. The author of the Vampire Lestat books and most recently the biblically-themed Christ the Lord novels and her spiritual memoir, Called Out of Darkness, provided her "people of the page" as she calls them, a link to the Gubbio Project where they could donate to "this fine work on the part of the Franciscans of St. Boniface in helping the homeless."
Don't believe most of what you'll hear about Kevin Smith's new movie, Red State.
It is not an angry tirade against religion, nor is it an attack on Christianity guised as a horror flick laden with gratuitous violence.
Smith has described Red State as a horror film, and it is that, but not in the conventional Nightmare on Elm Street iteration. There is violence for sure, but nothing approaching the unrelenting bloodbath of, say, The Passion of the Christ.
Some clever folks have created a magnificent "mash-up" of Sesame Street's resident pastry enthusiast, Cookie Monster, and the iconoclastic performer Tom Waits' song "God's Away on Business" from his 2002 album, "Blood Money." (Waits' song also appeared in the 2005 film, Enron: The Smartest Guys in the Room.)
The Tree of Life, directed by Terrence Malick. Fox Searchlight Pictures.
The round-up on late-summer cinema, including: Solaris, The Tree of Life, and Super 8.
Rise of the Planet of the Apes is a surprising addition to the typical summer blockbuster canon -- for one thing, it manages to entertain and challenge, without resorting to gratuitous violence to make its point. But there's a deeper subtext that is even more unexpected -- for this is a story in which we start to lose.
It was fashionable in the late 1960s and early '70s for science fiction films to attempt to out-dystopia each other -- see for example the notion in Soylent Green that post-industrial humanity snacks on itself to survive, the suggestion that only robots can be trusted to look after creation in Silent Running, and the climactic revelation in the original Planet of the Apes that a few generations from now, the nuclear arms race will end in mutually assured destruction. All these point to a simple philosophical idea: that humans cannot be trusted to care for ourselves or the planet we steward.