Lewis calls us to caution, to humility in the face of our quest for power. Just because we can does not mean we should. Even if you’re an optimistic transhumanist professor in England. That Hideous Strength is a devastating picture of that danger, more than fifty years ahead of its time.
As the credits rolled after Looper in a packed Chinatown movie theater in Washington, D.C., I simply sat in reverent silence. Moviegoers on all sides began to rise and quietly leave the theater, but for a brief moment all I could do was just sit there. Quite simply, the movie blew my mind.
When I snapped out of it my thoughts started racing, analyzing the ending, which I won’t ruin for you, and the movie as a whole. It wasn’t a question of whether it was “good” or captivating — those were givens. Rather, I started mining the film’s rich themes and questions, particularly what it said about love.
While sitting there, lost in my mind, I began to notice the music accompanying the names moving onscreen. The song’s chorus sang something like, “I loved you so much that it’s wrong.”
I don’t think the song choice was an accident.
That lyric, I think, illuminates the crux of the film: can something like “Love” — not just romantic love — become perverted? Or, in other words, can our love for one person lead us to do horrible things to others?