The Coens realize that sometimes, of course, comedy is bleak. But the point of gargoyles is to remind us that sacred and profane coexist.
First, here's the transcript portion of the last five minutes of President Obama's speech where he really got his preach on:
"The man who can articulate the movements of his inner life," the late Christian apologist and author Henri Nouwen said, "need no longer be a victim of himself, but is able slowly and consistently to remove the obstacles that prevent the spirit from entering."
Throughout the ages, how Christian believers have chosen to articulate their inner lives has had many manifestations in literature, music, architecture, and other artistic endeavors.
As a means of communicating and wrestling with his inner life -- his journey of faith -- Greg Fromholz, an American expatriate youth worker for the Church of Ireland in Dublin, wrote a book titled Liberate Eden, but traditional publishing houses found that his work was a bit too iconoclastic for their tastes.
"It is just too different to be Christian," one publisher pronounced.
A week or two after the 2004 election, I was dining with some friends in New York when the conversation turned to religion and politics -- the two things that you're never supposed to discuss in polite company.
George W. Bush had just been re-elected with the help of what was described in the media as "evangelical voters." And knowing that I am an evangelical Christian, my friends were terribly curious.
"What, exactly, is an evangelical?" one gentleman asked, as if he were inquiring about my time living among the lowland gorillas of Cameroon.
I suddenly found myself as cultural translator for the evangelical mind.
"As I understand it," I began, "what 'evangelical' really means is that a person believes in Jesus Christ, has a personal relationship with him and because of that relationship feels compelled to share their experience of God's love with other people. "How they choose to share that 'good news' with others is entirely up to the individual. Beyond that, the rest is details and style."
The other day I heard a 78-year-old man sing, through a cracked voice, one of the most moving and gentle jazz melodies, as the iconic image of a fetishized sports car being driven into the sunset was projected. And, not for the first time in recent years, I was crying at the end of a Clint Eastwood film.