Sojourners statement regarding "No More Deaths" report on U.S. Border Patrol abuses: "As a Christian organization, Sojourners believe that all people, regardless of national origin, are made in the "image of God" and deserve to be treated with dignity and respect. We also believe that immigrants are our neighbors and that all life is a sacred gift from God. No More Deaths' report on abuse of immigrants in short-term custody is a chilling reminder that we have a long way to go to affirm a consistent ethic of life in our nation. The overcrowding, physical and psychological abuse, exposure to unsanitary conditions, and denial of food and water to immigrants held in custody of the U.S. Border Patrol must end. As Christians, we insist that all immigrants should be treated fairly and with respect, no matter what side of the border they live on. There are no excuses for such practices to continue, and we call on the Obama Administration to seek accountability for every documented case of abuse by the Border Patrol. The United States should lead by example in all measures of human rights. These numbers offer a stark contrast between the nation we claim to be, built and made better by immigrants, and the nation we are."
Rick Perry was recently asked by a nine-year-old "If you were a super hero, what kind of super hero would you be?" His answer to the child's benign question was simultaneously predictable and profound: Superman.
One little known fact about Houston is that it was the only major city in the South to integrate nonviolently. A meeting was held in a downtown hotel with key African-American leaders -- preachers, business owners, barbers, undertakers -- and the business and political power players from Houston's white establishment. The meeting determined that Houston would integrate silently and sit-ins would end -- no newspaper articles, no television cameras. They were simply going to change the rules of the game; and they did without any violence. It was a meeting that represented how Houston politics happen: provide a room, bring together community leaders, business interests and politicians, and get a deal done. Such meetings certainly make for strange gatherings, but at critical junctures in our city's history this mixture has proven to be a winning cocktail.
I woke up on the morning of September 11, 2001 both nervous and excited. I had spent the last two months slowly proceeding through the application and interview process for an entry-level editorial position at Christianity Today to work with their Christian History and Christian Reader magazines. I'd had multiple interviews and had to write a few research heavy articles along the way. For someone with degrees in English and History and a graduate degree in Missions, it seemed like the perfect job. My final evaluation involved joining the staff at an all day off-campus retreat, where they would be evaluating potential articles for magazines. I was a bit nervous, but an insider in the company had told me the job was mine, so the excitement of finally landing my first real job after school prevailed.
So on the morning of September 11, I arrived at the country club where the retreat was being held and situated myself at the conference table in a room with a panoramic view of the far west Chicago suburbs.
Two long pieces this weekend described "one hell of a killing machine," and "the dark matter
It's been a fabulous few weeks for movies -- at theaters and at home. There are images in the great Russian director Andrei Tarkovsky's Solaris, recently released on Blu-ray and DVD, that are so beautiful they can evoke an aching longing for transcendent experience. This is entirely the point, for the film is about the search for meaning in a God-breathed universe. A man goes to space to investigate a mystery, discovers himself in the face of his loved ones, and ends in an embrace with the divine -- love itself. It's an astonishing work of art that repays multiple viewings, and serves as nothing less than an icon for worship. This summer's The Tree of Life, the fifth film in 40 years from the Christian humanist artist Terrence Malick, becomes something similar, and in the process makes excellent cinematic use of Brad Pitt and Sean Penn as avatars of contemporary masculinity. It's the most moving film I've seen this year.