band

IT WAS THE first week of November 2012, and Bruce Springsteen was busy helping nail down a few swing states for President Obama. In the process, he expressed more enthusiasm than I could ever muster for the man who put Tim "The Fox" Geithner in charge of our financial hen house. But political quibbles aside, I remain convinced that what Springsteen actually does for a living is more important to the life of our country than the work of any living politician, and I saw living proof that very same week.

On the Saturday night before Election Day, Springsteen and his E Street Band dropped into Louisville, Ky. Of course, my wife, Polly, and I had to go, and we had to take our 12-year-old son, Joseph, who has become the fourth Springsteen-obsessed member of our family. It was my fifth time to see the show, and ever since I've been thinking of the poem in which Allen Ginsberg asked America, "When will you be worthy of your million Trotskyites?" Paraphrasing Ginsberg, I ask today, "America, when will you be worthy of your E Street Band?"

To me, going to see the E Street Band has become something like going to see a natural wonder, like Yellowstone or Mammoth Cave or, more to the point, the California redwood forests: Like the redwoods, it's growing older. The bark gets rougher by the decade, and some branches break off and fall to the earth. But Springsteen's great tree of American music is still growing in stature and substance. The band has become a cultural institution that spans races, genders, and generations and fittingly represents the sacred American musical tradition that has grown from the work songs, ring shouts, and spirituals of the slaves.

LATELY I’VE been on a campaign to read some of the classic novels that I should have read decades ago. This summer it’s been John Steinbeck’s The Grapes of Wrath. There, I confessed it. All these years I’ve been coasting on repeated viewings of the John Ford film adaptation. But I’m reading the original now. And despite the hunger and hardship faced by the Joad family, I find myself experiencing nostalgia for those old hard times.

Americans fell into the Great Depression of the 1930s without the safety net of unemployment insurance, food stamps, or federally insured bank deposits. In fact, victims of the current depression have those benefits because of the things their ancestors did 80 years ago. Back then, Americans pulled together with the sure belief that we are all responsible for each other and that no one of us can, or should, stand alone. They recognized that a common plight required common action, and they gave us a trade union movement and a New Deal.

In The Grapes of Wrath, that recognition is rooted in the primary value of family solidarity, which grows to include neighbors and co-workers, and, finally, in Tom Joad’s famous speech, extends to all people struggling for justice (“whenever they’s a fight so hungry people can eat”), and even to all humanity, past and present (“maybe all men got one big soul ever’body’s a part of”).