AS KIDS, Wilner Baptiste (viola) and Kevin Sylvester (violin) might have been labeled classical music nerds. They played in the orchestra at their Fort Lauderdale, Fla. performing arts high school and went to college on full music scholarships. They have excelled in an insular and rarified world: one in which people devote hours every day to mastering the subtleties of antique and unforgiving instruments and the difficult repertoire left by the dead white guys. It’s a sphere peopled almost entirely by whites and Asians, and Baptiste and Sylvester are neither.

“Wil B” Baptiste and “Kev Marcus” Sylvester are Black Violin, a duo that fuses the thrilling virtuosity of the European classical world with the booty-shaking funk and street-level grace of hip-hop. In September they released their first major-label album, Stereotypes.

While these two young men were honing their chops in that high school orchestra, they were also typical turn-of-the-century hip-hop kids, tuned into the world of rap. After graduating from different colleges, the two got back together and worked the South Florida clubs, developing an act that involved playing classical-string covers of hip-hop hits.

I know, this whole hip-hop and classical thing sounds like a gimmick, and if I’d read about it before I heard these guys, I probably wouldn’t have been interested. It sounds too much like the prog-rock abominations of the 1970s, when rock operas and rock symphonies almost killed off rock and roll. But I was lucky enough to hear Black Violin live before I ever read about them. They were playing at a banquet honoring top academic achievers from historically black colleges and universities. It was the perfect pairing of artist and audience. Taking the stage backed by a live drummer and a deejay, Black Violin rocked the house with sophisticated sparkle.

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