WHEN MARTIN SCORSESE’S Silence was released in 2016, many reviewers invoked the “L” word: legacy, a capstone for a lauded director with nearly five decades of films under his belt. But looking back, Silence is less like a summation and more like a fresh exploration of the themes that had always fascinated the director.
Scorsese, who based the film on the 1966 novel by Shūsaku Endō, spent more than 25 years laboring over its script and production. Two Portuguese Jesuit priests, Sebastião Rodrigues (Andrew Garfield) and Francisco Garupe (Adam Driver), journey into fog-shrouded Japan to find their former mentor, who seems to have abdicated his evangelizing responsibilities under fear of persecution and death. To restore his name and maintain their own faith, the two venture into a country where the government offers large cash rewards for exposing hidden priests.
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