A Culture War Misfire

LEFT BEHIND may be a soft target, but once seen, you may realize that it’s a soft target for anyone who has ever been on an airplane, seen what Nicolas Cage is capable of in Leaving Las Vegas, met a Muslim, or not been cryogenically frozen since the era when it was socially acceptable to treat people with dwarfism as punchlines.

It really is worse than most theatrically released movies—shot and edited like a political attack ad/music video mashup, written like a child’s Sunday school lesson, and then strangely denuded of almost anything that would make it identifiably Christian (teasing those who already believe, yet scared of alienating people who just want to see a cheesy disaster movie without heavy proselytization).

The people who made it aren’t bad people, of course. (I’m not sure anyone is, with the line between good and evil running through each human heart and all—although that’s another argument that wouldn’t make it into this film.) The producers are ideologically committed to advancing a message that they were indoctrinated into by an unthinking system—let’s call it the Christian Industrial Entertainment Complex. They’ve stumbled upon the money and basic skill to make movies. They think that what they’re doing is changing the world for the better, but that’s doubtful—it’s more likely just reinforcing the closed-set worldview of the CIEC’s pre-committed adherents. This isn’t new, so I’m not too concerned about one more example of bad art masquerading as religious experience.

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