How to Ignore the Screams of Your Neighbors

JONATHAN GLAZER’S FILMS aren’t really stories; they’re experiences. His work is moody and image-driven. Plot matters less than concept, which often makes his work feel like it should be viewed in an art museum rather than in a theater. This is certainly true of his latest, The Zone of Interest, a loose adaptation of a novel by Martin Amis.

Glazer’s film follows a Nazi commandant and his family who live next door to Auschwitz. Theirs is a disturbingly wholesome life — a study in what philosopher Hannah Arendt called the “banality of evil,” the bureaucratic just-following-orders mentality that allows evil to proliferate. As such, it’s also a timely film to consider in the context of rising authoritarianism around the world.