It is a difficult film to watch, but it is not sensationalized in any regard. Reed was not interested in making a film to convince anyone of Jackson’s guilt. Instead, the camera is fixed on both Wade Robson and James Safechuck, the men who are alleging the abuse, and their families. It is an incredibly important experience, and almost disorienting as a viewer, to give so much power to these men and their stories. They describe the reality of what it means to be someone who has survived long-term sexual abuse as a child, at the hands of someone who was much older and infinitely more powerful. The secondary thread running throughout the film is the story of their family members — the mothers, the siblings, the wives — who describe how this type of abuse happens, and how victims are silenced for decades.
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