seamus heaney

Rose Marie Berger 2-20-2025
themacx / iStock

I LOVE WORDS. I love etymological dictionaries packed with word genealogies. I love that apricot is a cousin to precocious, kitchen, and charcuterie. That the word word (from the Old English) is rooted in utterance and promise, in the theological sense. As in, to give one’s word.

Words spoken are different creatures than words written. Christians designated written words as more trustworthy than oral composition, but early Judaism prioritized oral transmission of sacred words — as many Indigenous communities do still. But written words (like these) can be controlled and manipulated. Writing prevents the breathed utterance from passing through the orator’s flesh to be inhaled by the communal body. Orality is to literacy as wildfire is to candle flame.

Maybe that is why I moved heaven and earth in 2000 to hear Irish poet Seamus Heaney read in person, accompanied by Liam O’Flynn on the uilleann pipes. Having studied Heaney’s written word, especially the collection Station Island, I wanted to hear the man himself, to hear him orate (from the roots of utter and praise before an assembly). I wanted to inhale his language (tribal and tongue).

Rose Marie Berger 12-07-2015
Mikhail Zihranichny / Shutterstock
Mikhail Zihranichny / Shutterstock

SHORTLY BEFORE Irish poet Seamus Heaney died in 2013, he texted these last words to his wife, Marie: Noli timere. Be not afraid.

I’m not sure if Heaney, who was described by Robert Lowell as “the most important Irish poet since Yeats,” knew this was his last text and final words, but I suspect he did.

It’s a sad commentary that when the Twitterverse got hold of Heaney’s message, no one could figure out what it meant or where it was from. Many did not recognize the angels’ message to Zechariah (Luke 1:13) or Mary (Luke 1:30) or the shepherds (Luke 2:10) or Joseph in a dream (Matthew 1:20): Be not afraid.

Heaney understood words as “bearers of history and mystery.” As a distinguished translator of poetry from Greek, Latin, Italian, Irish, Anglo-Saxon, and Middle Scots, he had plenty of languages to choose from. But he chose St. Jerome’s fourth century vulgate version of the Bible. He chose the language of the angels.

Cathleen Falsani 9-05-2013
Irish poet Seamus Heaney By Sean O'Connor [Public domain], via Wikimedia Commons

One of my favorite stories is about the interview I wanted most, but didn’t get.

It was 2005 and I had just signed a contract to write what would be my first book — a collection of profiles of mostly well-known people about their spiritual lives. Artists. Writers. Thinkers. Scientists. The odd rock star.

Sitting in my publisher’s office, she asked me to dream out loud: If I could interview anyone for the project, who was No. 1 on my wish list?

I answered without hesitation: Seamus Heaney.

Cathleen Falsani 1-26-2012
Author Annie Dillard, standing in her writing shed, 1987. By Getty Images.
Author Annie Dillard, standing in her writing shed, 1987. By Getty Images.

When Sojourners CEO Jim Wallis departed on his three-month sabbatical at the beginning of January, I sent him a list of books, films and music that I thought would nourish his mind and spirit in, perhaps, different ways than the media he normally consumes do.

Jim's sabbatical — a true Sabbath in the literal sense — is designed to be a time of rest and, more importantly, rejuvenation. It will also be a creative time when he will be working on a new book.

Jim is a creative. A writer. A visionary. He regularly digs deep into his heart and soul, breaks himself open and pours out his passion, hope and faith for the edification of others. If creatives aren't diligent, though, we can work ourselves into the ground. Our wells can run dry.

In sending Jim this list of what I like to think of as "soul food," I hoped to inspire his imagination and give him new fuel for the fire, if you will.