richie jean jackson

I grew up in a household run by a woman of the civil rights movement. My mother, born Sharon Lawrence in 1948, was a teenager when she joined the Student Non-Violent Coordinating Committee in 1966, one year after Dr. King’s legendary march from Selma to Montgomery and President Lyndon B. Johnson’s passage of the 1965 Voting Rights Act. With the foundations of progress and protection laid, there was still much work to be done. My mother was based in Philadelphia, where she helped establish one of SNCC’s embattled northern offices.

A few years back, as I fished through boxes brimming with old papers and notepads, I discovered handwritten notes from James Forman to my mother. Forman offered detailed instruction to the then 18-year-old young woman who would become my mother only a few years later. Her job was much like mine is now: church outreach. The way she tells it, there were only a few churches in Philadelphia willing to offer their pulpits for movement people to speak. It was her job to secure those pulpits when giants like Forman, Stokely Carmichael, and others came to town.

I grew up aware of the women of the civil rights movement — my mother was one of them.

Perhaps that’s why I was so struck by the rare effort made by the film Selma to highlight the roles of women in that struggle, which by many accounts was the high-water mark of the civil rights movement.