songs

The Spirituality of Katy Perry -- Pointing Toward Unconditional Love

I was driving home from work a few weeks ago and found myself suffering from a little radio ADD. I flipped through every station on my programmed radio console with a sense of emptiness. Each station was playing what sounded like the same song with the same beat over and over again.

How can I find meaning in my drive home with the drudgery of the same bland music?

I finally gave up on my search for meaning and stopped on my favorite top-40 radio station, Chicago’s 101.9 The Mix. And there it was. Someone was singing these words:

I will love you unconditionally
There is no fear now
Let go and just be free
I will love you unconditionally.

“Wait a minute,” I thought. “The Mix is playing a song about God?!? Had The Mix been taken over by a Christian radio station? Had K-Love or Moody Radio joined messianic forces with Rafael and Ted Cruz to enforce Christian Dominionism all over American radio?”

Singing the Stories Untold

SINGER-SONGWRITER Caroline Herring was completely naked when she truly found God.

Straight out of college, she spent three months as a missionary in China. “I was so ill-equipped,” she says now, over tea just before a show in Knoxville, Tenn. “The program was respectable—we weren’t Bible smugglers, but obviously we had an agenda.”

One of her students—a woman who had journeyed seven hours to attend English classes Herring was teaching with her fellow missionaries—took a liking to her and asked if she would leave the comfort of her air-conditioned room (with a private toilet) to join her students at the dirty, crowded bath-house, outfitted with several spigots in the ceiling. Herring believes it was a way to welcome her into their fold.

“And I felt like I was a part of humanity for the first time in my life,” Herring says, her face suddenly luminous. “My preconceived notions about the Trinity just slipped away. It was too much to comprehend, but I knew that the Holy Spirit was moving amongst us because we were people together, being kind to one another.”

Herring, now 42, says the experience changed her life. She left China a different, humbled person, with whole new ideas about what God, religion, and service were.

“I knew for sure that I had a lot more to figure out about my own place in the world before I had the audacity to spread the word of Christ across the globe,” she says.

Several years later she wrote a haunting song called “China” that recounts the experience. “The father and the son left but the holy dove stayed / maybe clouds parted and the curtain was torn / but I was naked as the day / the day I was born,” the song goes. It appears on her 2010 EP, Silver Apples of the Moon.

Read the Full Article

​You've reached the end of our free magazine preview. For full digital access to Sojourners articles for as little as $2.95, please subscribe now. Your subscription allows us to pay authors fairly for their terrific work!
Subscribe Now!

Riding Out the Storm: A Video Playlist

For our brothers and sisters on the East Coast, in the path of the storm they call "Sandy," I've put together a little music for you to help pass the time. Sending you prayers of protection, peace, and grace (and, I hope, more than a bit of musical joy and solace) from the shores of the Pacific here in California at the SoJo West office.

Inside the blog, there are 30 videos. For those of you with power (and an Internet connection), I hope it helps pass the time and maybe even gets you to get up and dance a little in your living rooms.

Here's the song and video the playlist begins with: "No Storms Come" by our Sojo friends, The Innocence Mission:

http://youtu.be/KfB1bznyw2I

Roots of the Common Good

LATELY I’VE been on a campaign to read some of the classic novels that I should have read decades ago. This summer it’s been John Steinbeck’s The Grapes of Wrath. There, I confessed it. All these years I’ve been coasting on repeated viewings of the John Ford film adaptation. But I’m reading the original now. And despite the hunger and hardship faced by the Joad family, I find myself experiencing nostalgia for those old hard times.

Americans fell into the Great Depression of the 1930s without the safety net of unemployment insurance, food stamps, or federally insured bank deposits. In fact, victims of the current depression have those benefits because of the things their ancestors did 80 years ago. Back then, Americans pulled together with the sure belief that we are all responsible for each other and that no one of us can, or should, stand alone. They recognized that a common plight required common action, and they gave us a trade union movement and a New Deal.

In The Grapes of Wrath, that recognition is rooted in the primary value of family solidarity, which grows to include neighbors and co-workers, and, finally, in Tom Joad’s famous speech, extends to all people struggling for justice (“whenever they’s a fight so hungry people can eat”), and even to all humanity, past and present (“maybe all men got one big soul ever’body’s a part of”).

Obviously, that sense of solidarity is hard to find in 21st century America. Today’s Joads, while also motivated by family values, are more likely to blame their problems on big government and to vote for free-market fundamentalists who will cut taxes on the rich.

Read the Full Article

​You've reached the end of our free magazine preview. For full digital access to Sojourners articles for as little as $2.95, please subscribe now. Your subscription allows us to pay authors fairly for their terrific work!
Subscribe Now!

Flash Mob Ministry: A New Model for Instant Church

 Neil Mockford/FilmMagic
Britain's Got Talent - Flashmob at Trafalgar Square in March. Neil Mockford/FilmMagic

Right there, in the middle of piles of fried chicken and biscuits, campers broke out in song, complete with choreography. Suffice it to say it’s simple enough and cumulative in its themes so that pretty much anyone can get the idea within a verse or two.

We keep talking about the changing face of church and how ministry is going to look different going forward; what if this is it? Not that I expect this is “the” model for how to do church from here forward, but there’s something to this “flash mob” concept, breaking out spontaneously into something that draws others in, right here, right now, where we are.

But we might get weird looks. We might even get in trouble.

Tripp Hudgins' First Thoughts: SOPA and the Wisdom of Creative Freedom

SOPA protest illustration from Unvirtuous Abbey via Facebook
SOPA protest illustration from Unvirtuous Abbey via Facebook www.facebook.com/unvirtuous-abbey

"Wisdom wants to be free. As a Christian, I believe there is actually some theology to this....Wisdom is a woman and she stands at the gates of the city and she cries out to the people, 'Be free. Be free to love and be free to share.'...What if we understood creativity to be wisdom?"

Watch Tripp's v-log on SOPA, creativity, freedom and wisdom inside the blog...

Christmas Favorites from SoJo's Christmas Favorites: Sam Phillips

Sam Phillips. Image via Wiki Commons http://bit.ly/stvGiZ
Sam Phillips. Image via Wiki Commons http://bit.ly/stvGiZ

Sam Phillips is achingly honest.

Whether she's singing about relationships — with loved ones, the world or God — politics, art, the church, Aimee Semple McPherson or Christmastime, you can count on Sam to bring her singularly pure voice and the truth. She is true blue (and one of her favorite guitars is as red and shiny as RudolfOn her new album, Solid State: Songs from the Long Play, Sam has two songs that have quickly become new favorite Christmas tunes for me. One is explicitly about Christmas, and the other is not, but both speak eloquently (and truthfully) about the mystery and melancholy that the season brings to many of us.

In "It Doesn't Feel Like Christmas," Sam talks about missing someone special during the holidays. The lyrics are sad, her voice is sweet, and the juxtaposition of the two strikes a deep chord in my heart. True. Difficult. Beautiful.

 

Christmas Favorites from SoJo's Christmas Favorites: David Wilcox

David Wilcox
David Wilcox
In this season of expectation as we await the incarnation of God-with-us, my heart turns to a song that, to me, captures the spirit of Christmas.
 
It has no jingle bells or chestnuts roasting by an open fire. There is no explicit reference to mangers, magi or a baby boy. But Asheville, N.C.'s favorite son, singer-songwriter David Wilcox, nails the heart of the Christmas story in his song, "Show the Way."
 
The sense of expectation, pearched on the edge of our seats waiting for something to happen — waiting for the divine surprise — is palpable in the song David first recorded on his 1994 album, Big Horizon.  And while David's tune "Miracle" — a whimsical retelling of the story of the Three Wise Men (whom he calls the "Three Wise Guys") — is also a Christmas favorite, it's "Show the  Way" that I return to in Advent, as we abide with joy, waiting to hear the cry of a tiny baby in a stable in a backwater town in the land we call "Holy."

Subscribe