More than 1,000 civilians have been killed by U.S. drone strikes. Obama, technology, and the myth of redemptive violence.
Paranorman, the stop-motion animated feature by Laika Studios just came out on Netflix instant download, so we decided to watch it for our family movie night. It's a fun film, perhaps a bit too scary for the little ones, but what really stood out for me was the surprisingly deep morality in this little film. This comes in an unlikely package since the film is about zombies and witches. Not surprisingly, if you look for Christian reviews of the film you will see many focus on warnings to stay way from the occult. Sadly, this response misses the profoundly deep moral message behind this film — one that confronts religious violence, and instead promotes a message of redemption and forgiveness. That's quite a bit of insight for a cartoon!
The premise of Paranorman is that the town of Blithe Hollow (not coincidentally set in Massachusetts, as we will see later) is about to be overrun by zombies because of the curse of an evil witch. Only Norman Babcock, an odd boy who can speak to the dead, can save the day. The movie begins by having us get to know Norman, who is emotionally isolated because his family does not understand him, and his peers ostracize and ridicule him as a "freak" at school. The only person who believes Norman is his friend Neil Downe, and overweight boy who is himself bullied.
The town is in peril because three centuries ago, an evil witch was executed, and in revenge put a curse on puritan judge and her accusers, cursing them to rise from the grave as zombies. So each year the curse of the witch must be appeased by reading from a mysterious book at the grave of the witch in order to prevent a zombie apocalypse. But this year that does not happen, and the zombies overrun the town. The townspeople and local police form the typical Frankenstein mob, complete with pitchforks and shotguns to kill the zombies. As the mob mentality grows, Norman and his motley band are threatened by the mob as well.
This is the first point where we see the film’s unmasking of "virtuous" violence: in the logic of many films, so long as someone is a "monster" or an "alien," it is okay to kill them. So we have no problem with watching mass killings of monsters or aliens in movies because ... well ... they're monsters. So you're supposed to kill them. That's what good guys do in movies. This is the unquestioned plot of hundreds of movies. As long as the Storm Troopers in Star Wars are faceless, we don't bat an eye when Luke kills one after the other. They have been dehumanized, and so it's okay to kill them all. The same is true for the Orks in Lord of the Rings, or the witch and her minions in the Chronicles of Narnia.
What do you say in the face of evil?
The stories from Monday’s attacks at the Boston Marathon are heartbreaking, gut-wrenching. One in particular stands out to me. A woman was waiting for her husband to cross the finish line when the bombs exploded. For three hours she searched frantically for him, not knowing if he was alive or dead, not knowing if he was frantic and looking for her. Her voice cracked and tears flowed with the raw memory as she told of the moment when she and her husband embraced.
Moments like this, even when they end happily, remind us of our vulnerability. As hard as we try to protect ourselves with heightened security measures, we know that complete invulnerability is impossible. I am vulnerable. My wife is vulnerable. My children are vulnerable. We cannot escape it.
A few hours after the bombing, President Barack Obama addressed our natural desire to carry out justice after these events.
[M]ake no mistake; we will get to the bottom of this. We will find out who did this, we will find out why they did this. Any responsible individuals, any responsible groups, will feel the full weight of justice.
Like the president, I want to take action against evil and I want to know I am secure. I hate admitting that I’m vulnerable. But the president’s words didn’t reassure me. They made me feel more vulnerable because the phrase “full weight of justice” is always a veiled call to violence.
There is an overwhelming need for publicly compelling conversation about violence, guns, and the role of entertainment media.
I had a veteran friend once tell me, “The biggest lie I have ever been told is that violence is evil, except in war.” He went on, “My government told me that. My Church told me that. My family told me that. … I came back from war and told them the truth—‘Violence is not evil, except in war… Violence is evil – period.’”
Every day it seems like we are bombarded with news stories of violence—a shooting in Colorado, a bus bombing in Bulgaria, drones gone bad and the threat of a nuclear Iran, a civil war in Syria, explosions in Afghanistan and Iraq.
The recent cover story of Time magazine was "One a Day," showing that soldier suicides are up to one per day, surpassing the number of soldiers who die in combat. The U.S. military budget is still rising—more than $20,000 a second, more than $1 million a minute, spent on war even as the country goes bankrupt.
Our world is filled with violence—like a plague, an infection, a pandemic of people killing people, and people killing themselves. In my city of brotherly love, Philadelphia, we have nearly one homicide a day—and in this land of the free we have more than 10,000 homicides per year.
This week President Barack Obama called the shooting in Colorado “evil.” And he is right.
But perhaps it is also time that we declare that violence is evil, everywhere—period. It’s obvious that killing folks in a movie theater is sick and deranged, but the question arises: is violence ever okay?