The old city of Jerusalem is smaller than one square mile. In 5,000 years of recorded human history there have been 180 conflicts around the city. It has been conquered 44 times, and completely destroyed twice. The story of conflict in this city is clearly not a new story.
When the producers of Jerusalem, a new movie for IMAX and other giant screen theaters, decided to approach the topic, they wanted to bring a fresh perspective to the long history.
“Jerusalem is a city in conflict,” said Taran Davies, one of the producers of Jerusalem, at a recent screening of the movie. “We wanted a new way to think about it. This [movie] is more a celebration.”
It may be as close as a person can get to praying at the Church of the Holy Sepulchre, the Al-Aqsa Mosque and the Western Wall, without actually going there.
The newly released movie “Jerusalem,” filmed in 2D and 3D and playing on IMAX and other giant-screen theaters across the U.S. and the world, gives viewers grand, hallmark panoramas, at once awe-inspiring and intimate.
For years filmmakers had sought the rights to capture the city from the air, but never before had permission been granted, in part because the holy city is a no-fly zone.
Still, before filming began in 2010, producer Taran Davies came up with an extensive wish list of all the sites and rituals he wanted in the film, and presented it to advisers familiar with the spectrum of religious and secular officials who would have to approve.
“They all laughed and said forget about it,” Davies said. “They said, ‘It’s impossible and you’re not going to get half of what you’re looking for.’”
The last two movies that my wife and I had the chance to watch were Avatar and The Blind Side. Not sure how that happened, but both movies had very rich missiological and race themes to them. Or maybe I just see everything in that way.