Sojourners has always tried to understand and advocate for "biblical politics." But what does that mean now, especially as we approach another major election?
I was talking the other day to a Christian leader who has given his life to working with the poor. His approach is very grassroots -- he lives in a poor, virtually all-minority community and provides basic services for low-income people. He said, "If you work with and for the poor, you inevitably run into injustice." In other words, poverty isn't caused by accident. There are unjust systems and structures that create and perpetuate poverty and human suffering. And service alone is never enough; working to change both the attitudes and institutional arrangements that cause poverty is required.
When I first visited Ethiopia at the height of the 1984 famine, I watched as twenty-four people died of starvation in less than fifteen minutes, right in front of my eyes. Barely five years into my career as a Congressman, nothing my staff told me beforehand could have prepared me for what I saw on that trip.
Gasping at awful photographs of unspeakable human suffering is one thing; bearing firsthand witness to human suffering is another thing entirely. Glancing at a picture of a starving child in the newspaper, you can always turn away, but when you're staring into the eyes of a mother who has just lost that child, it's a completely different story. There's no looking the other way.
That's why I often describe those first Ethiopia experiences as my "converting ground" on issues of global hunger. What happened in Ethiopia changed me, and changed how an entire generation looks at hunger.
It's also why I'm currently back on the Horn of Africa, reporting on the ground from the Dadaab refugee camp in eastern Kenya, less than fifty miles from the Somali border. And I am appealing to my affluent brothers and sisters in the United Stated and around the world not to look away. We need your help.
When evangelical politicians pronounce on topics like the origins of the universe, the results are almost always awful -- embarrassing, infuriating, unwatchable. When a reclusive, visionary filmmaker like Terrence Malick treats the same subject matter, as he does in his new movie The Tree of Life, one is transported. Which is a useful reminder that the mysteries of creation are best grappled with through art. The book of Genesis, after all, begins not with scientific description or theological argument, but with a poem.