Elvis Presley

Gareth Higgins 2-25-2019

From ‘The King.’

THERE ARE moments in The King—Eugene Jarecki’s ambitious movie about how the rise and decline of Elvis Presley is a metaphor for America—when the film feels like a prophetic lament. Striking widescreen photography frames an original idea: taking the Rolls Royce that Elvis owned on a nationwide road trip, picking up hitchhikers and celebrities alike to talk about what went wrong.

Parts of it are brilliant: Chuck D lamenting how Elvis appropriated black music and ended up being coronated while “Big Mama” Thornton (for whom Leiber and Stoller wrote “Hound Dog”) remained a marginal figure; John Hiatt gently weeping in the back of the Rolls, his heart heavy at how Elvis “was so trapped”; the housekeeper who found Elvis half-dead on the toilet, and the women who live in one of his early homes, briefly centering the stark contrast between a 20th-century king and 21st-century poverty.

It’s brave and imaginative to include footage of Jarecki’s interviewees criticizing him and the film itself. The Wire creator David Simon says it would have been better to use one of Elvis’ Cadillacs—a more apt metaphor for American decline than the car of a British aristocrat. More challenging is Van Jones asking why Jarecki seems to defend a man who took the music of descendants of enslaved people, accrued enormous power for himself, and didn’t speak up when the nation needed public figures to support civil rights.

Cathleen Falsani 1-31-2012
Mother Dolores Hart, as Hollywood starlet and after. Photos by Getty Images.

Mother Dolores Hart, as Hollywood starlet and after. Photos by Getty Images.

During her brief career as star of stage and screen in the late 1950s and early 1960s, Dolores Hart won a Theater World Award, was nominated for a Tony Award and gave Elvis Presley his first on-screen kiss (in the 1957 film Loving You) when she was just 19 years old.

Now 73-year-old Hart — better known for most of the last 40 years as Mother Dolores, Prioress of the Benedictine Abbey of Regina Laudis in Bethlehem, Conn. — has a new claim to fame: Oscar nominee.

Last week, God is the Bigger Elvis, a short documentary film about her journey from Hollywood starlet to cloistered Catholic nun, received an Academy Award nomination for best short documentary film.

This past spring I went to Graceland, the home of Elvis Presley, again. Like millions of other Americans, I've got a thing about Elvis.