“Romantic” may not be the first word that comes to mind when talking about Werner Herzog—known for such charming expressions as “I believe the common denominator of the universe is not harmony but chaos, hostility, and murder”—yet it is, perhaps, one of the most appropriate.
The German filmmaker can be considered a romantic in both the contemporary-everyday and historical-philosophical sense. Like the poets and painters who emerged from the Sturm und Drang movement of the mid-18th century such as Johann Wolfgang von Goethe, Friedrich Schiller, and Henry Fuseli, he gravitates toward the fantastical, transcendent, and sublime. His films, documentaries, and books frequently center on characters who attempt to do the impossible for the sake of its impossibility, and in doing so, posit that existence is, at its core, the stuff of feeling rather than thought. After all, reason alone can’t explain why someone would hoist a steamship over a mountain, live among grizzly bears, or—as in his latest documentary, Ghost Elephants—chase a potentially nonexistent herd of proboscideans across the Angolan highlands.
Read the Full Article
