'Carol' and How Identity Is Bound Up With Relationship

Image via 'Carol'/Facebook

Director Haynes and writer Phyllis Nagy (working from Patricia Highsmith’s novel The Price of Salt) understand that cinema, just like all forms of storytelling, is a window into someone else’s personal life. They tell the story of Therese and Carol’s relationship in such exquisitely realized detail, down even to the smallest carpet-fiber, that you almost feel as if you’re there yourself. When the world the characters inhabit feels so real, their experiences and emotions feel real, too — helped in large part by perfectly-pitched performances by Blanchett and Mara.

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An image of the November 2026 issue of Sojourners, titled "Face to Face." It features George Lakey on the cover
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