When People Are Good

'Come From Away,' written by Irene Sankoff and David Hein; directed by Christopher Ashley.
Courtesy of www.facebook.com/ComeFromAway/
Courtesy of www.facebook.com/ComeFromAway/

WE ALL HAVE a story of where we were that September morning, when the crumbling skyline of New York City brought the country to a standstill. For people on thousands of airplanes in flight that morning, their stories began with emergency landings and sitting for hours on the tarmac in unexpected places after U.S. airspace closed. Of those stranded “plane people,” 7,000 arrived in Gander, Newfoundland—an island town of about 10,000 locals and limited resources. The new Broadway musical “Come From Away” provides a snapshot of the rest of that story.

At a preview performance in February, the audience was on its feet for an ovation before the lights went down. For 100 minutes the musical allows the audience to pause and reflect on the events of Sept. 11. Claude Elliott, the mayor of Gander (played in the show by Joel Hatch), introduced the 10th-anniversary commemoration of 9/11 in Gander by saying, “We honor what was lost. But we also commemorate what we found.” To sit in the audience alongside New Yorkers with intimate connections to that day and tourists with their own reasons for being there was to pay tribute to those memories as part of a community of strangers.

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