Up Front and Unadorned

Loretta Lynn's honest ambivalence about motherhood was disturbing to the male gatekeepers of popular culture.
Loretta Lynn
Loretta Lynn

For 56 YEARS, Loretta Lynn has rarely paused from recording and touring. A career path that long is bound to have its ups and downs. But the past decade or so has definitely seen a Loretta Lynn renaissance.

It started back in 2004 with the album Van Lear Rose, a collection steeped in the rootsy alt-rock aesthetic of Jack White, who produced, played guitar, and even sang a duet with Lynn. Next came the 2010 tribute album Coal Miner’s Daughter, on which White’s band, The White Stripes, was joined by artists ranging from Alan Jackson and Martina McBride to Nashville outsiders Lucinda Williams and Steve Earle to perform a sampling of Lynn’s greatest hits. This year has seen the debut of a PBS American Masters documentary about Lynn and another startlingly good new album, Full Circle.

Both the title and the choice of material on Full Circle sound for all the world like a lifetime victory lap for the 84-year-old singer-songwriter. Telling the story of her career, the collection starts with a re-recording of the first song she ever wrote (“Whispering Sea”) and ends with a Willie Nelson duet on “Lay Me Down,” a song that features the line, “I’ll be at peace when they lay me down.” In between, she revisits a couple more of her older songs, and, for the first time, records the kind of traditional old-time material she heard growing up in the east Kentucky mountain community of Butcher Holler.

When Loretta Lynn came to Nashville in 1960, she was without precedent—a female country singer who wrote her own songs. She didn’t follow the rules of the music business because she and her manager-husband didn’t know them. Instead, Lynn came to town as a do-it-yourself phenomenon, promoting her records out of the trunk of the family car.

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