EARLY IN THE musical Saturday Church, the endearing teenage protagonist Ulysses prays to God. His father has died, his mother is always working, and his church community keeps pushing him to be less effeminate. “I’m in here, a prisoner of all my thoughts,” Ulysses sings. “Can anybody help?”
Onto the stage—wearing a long wig, a shimmering dress, and knee-length boots—steps “Black Jesus.” “Are there any queens in the house?” they sing to the room, before proceeding to do a dance number in the style of queer Black and Latino ball culture. “I come in many forms,” they tell Ulysses. “But this is my favorite.”
Black Jesus is one of several biblically inspired characters and events to have recently debuted in new musicals in New York. And while their plots vary widely, each has mined the Bible in ways that offer fresh resources for the Christian imagination.
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