Trevor Barton

Trevor Scott Barton is an elementary school teacher in Greenville, S.C. He is a blogger for the Teaching Tolerance project of the Southern Poverty Law Center. 

Posts By This Author

God Is Allowed in School

by Trevor Barton 08-12-2018

Whether I am on an inner-city street, or a remote village, or in a Title I public school classroom, I try to live out my life as Gustavo Gutiérrez describes life among the poor in his book A Theology of Liberation.

    Other People's Shoes

    by Trevor Barton 05-24-2016
    Moving from Fear to Empathy

    I have been thinking about what it means for me to try to put myself into the shoes of other people, too. When I see someone who is different from me — a transgender person, a Muslim person, a politically conservative person, an 'any kind of different' person — I am tempted to look at that person through a hermeneutic of fear. I either fight against that person or flee from that person. But what if I look at that person through a hermeneutic of empathy? What if I put myself in that person's shoes and walk around? What might happen if I do that?

    Listen to Their Faces

    by Trevor Barton 04-12-2016

    Listening to faces is hard work and has to be developed slowly over time. We live in a world that teaches us to speak twice as much as we listen, or to speak without listening at all. Yet, over time, listening to faces will grow the most important thing we can have in our hearts — deep empathy for each person we encounter every day. 

    The Shape of God's Heart

    by Trevor Barton 11-23-2015
    Heart-shaped rock

    Wolkenengel565 /

    Father Gregory Boyle is a Jesuit priest and the founder of Homeboy Industries in East Los Angeles. He lives and works in his economically poor and gang-riddled community building kinship, making close relationships and connections, with the people around him. He affectionately calls his parishioners "homies" and they affectionately call him "G-Dog." I highly recommend his book Tattoos on the Heart: The Power of Boundless Compassion if you, too, are interested in building kinship in the world.

    In the book Father Greg tells the story of taking two homies to the White House as a part of then First Lady Laura Bush's Helping America's Youth campaign. On the flight back to L.A., one of the homies talks to a flight attendant and tells her about his life, about what his life had been, about going to the White House, and about what his life was becoming. His story made the flight attendant cry, he tells to Father Greg. And Father Greg says to him, "Well, mijo, whaddya 'spect? She just caught a glimpse of ya. She saw that you are somebody. She recognized you as the shape of God's heart. Sometimes people cry when they see that."

    Thoughts by the Sea

    by Trevor Barton 06-17-2015
    Image via idreamphoto/

    Image via idreamphoto/

    One question I would ask a blue whale, if I could summon it from the depths of the ocean, would be, "Is it your giant heart that makes your kind the most peaceful and intelligent creatures on Earth?"

    I often wonder about the link between the heart and kindness and intelligence. "Cogit ergo sum (I think therefore I am)," wrote René Descartes, and we live in a time where the sum of all of life is the mind, the value of all of life is the ability to be right and to be smarter than anyone else.

    But what of "sentimus ergo sumus (we feel therefore we are)?” Is the sum of all of life really empathy, the practice of placing ourselves in the shoes of fellow human beings and walking around in those shoes until we can feel life as they feel it?

    "If we value the growth of our hearts most of all, could we be more like you?," I would ask my giant, gentle friend.



    by Trevor Barton 02-10-2015
    Illustration of a boy, Xomi /

    Illustration of a boy, Xomi /

    In my classroom, there is a little boy from Honduras. He speaks Spanish — that is the language of his heart — but he is learning English and tries with all his heart to learn new words and strange phrases that will allow him to live in his new world here. He is 9 years old, with dark hair cut straight across his forehead in a wonderfully crooked line. He has deep brown eyes the color of a plowed field, eyes that sparkle like starlight at night off a pool of calm water. He has big dimples that catch teardrops when he laughs until he cries, or when he cries until the sadness in his heart resides. He has a broad smile that is sometimes mischievous but most times full of joy.

    Sometimes I wonder ... what is he thinking as he closes his eyes at the end of the day, or opens them at dawn?

    "I hope my new world will embrace me," he thinks tenderly, "and not call me an illegal alien ... and not try to tear me apart from my Aunt ... and not try to tear me apart ... and not place me in the shadows ... and not make me a shadow.

    Mami, can you hear me in the dawn? Will my words reach you over the land, over the land, to the valley, between the mountains, to La Esperanza, to Honduras? Help me, Mami. Please. I don't want to be a shadow here. ...

    Lessons from the World's Loneliest Whale

    by Trevor Barton 08-01-2014
    Albert Ziganshin /

    Albert Ziganshin /

    In the northern Pacific Ocean, there is a giant whale named 52 Hertz. Scientists named him that because when he sings, the frequency of his whale song is around 52 Hertz. When other whales sing their songs, they sing at frequencies between 15 and 25 Hertz. His song cannot be heard by any other whale. He is known as the loneliest whale in the world.

    Normally whales are communal creatures. They live their lives in family groups. They migrate from warm waters to cooler waters to give birth and find food. They follow the same migration route from year to year. 52 Hertz is different. He lives alone. He does not follow a migration route. He wanders the ocean, a lonely, wandering whale.

    We do not know what kind of whale 52 Hertz is. He could be a deformed blue or fin whale. He could be a cross breed of those two types of whales. He could be a kind of whale we have yet to discover. He is an unknown whale.

    Soon a team will set out on a seven-week expedition in search of 52 Hertz. Will they find him? Will he find them? Does he want to be found? I wonder.

    From the Dust of the Ground

    by Trevor Barton 07-02-2014
    A butterfly settles on the dust. Image courtesy Romas_Photo/

    A butterfly settles on the dust. Image courtesy Romas_Photo/

    The ground on our mountain is rocky ground and the land seems to have more stones on it than soil. I think it is a miracle that things grow here, that things grow so well here. But they do. We are planting, as all farmers do, in the hope that good rains will come and help the seeds grow into whole, full stalks of millet. I am enjoying learning the life of a Malinke farmer. Bala is my teacher. This is his field.

    Seeing The Human Spirit

    by Trevor Barton 06-27-2014
    An old bicycle. Image courtesy MaPaSa/

    An old bicycle. Image courtesy MaPaSa/

    There is a small, mud-bricked, tin-roofed building on a piece of flat land below a mountain in Kenieba, Mali. This simple structure, surrounded by courtyards, peanut fields, and scrub grass, is the church building where we lived for three years, a place that became our home. The people who are this church are simple people like the building itself. Most of them are subsistence farmers growing just enough peanuts, millet, rice and corn to eat for the year. When I think of these friends of ours, three people come to mind who symbolize them all.

    The Space Between the Notes

    by Trevor Barton 05-26-2014
    Sheet music, Franz Metelec /

    Sheet music, Franz Metelec /

    The French composer Claude Debussy once said, "Music is the space between the notes." His compositions were a part of Impressionism in music, a movement in the late 19th and early 20th centuries that focused on suggestion and atmosphere and favored short forms of music like nocturnes, arabesques, and preludes. This movement was a correction of the excesses of the Romantic period, where the focus was on strong emotion and the depiction of stories and the favor was toward long forms of music like symphonies and concertos.