Fellowship Program Director & Church Network Coordinator

Rev. Moya Harris is an itinerant elder in the African Methodist Episcopal Church, currently serving at Metropolitan AME Church in Washington, D.C. as the executive minister and minister to women. She is the Sojourners Fellowship Program director, overseeing program details while offering spiritual guidance and pastoral support to each cycle of fellows who live in intentional community and work in entry level positions within the organization.

Rev. Harris has served in many different capacities over her 15-plus years in ministry. While she did not grow up in the church and accepted Christ as a young adult, she can now see God’s calling throughout her life. She also is a registered nurse with over 27 years’ experience, specializing in cardiac catheterization nursing. She earned a bachelor’s in science degree in nursing from Towson State University and a Master of Divinity degree from Payne Theological Seminary and is currently a doctoral student in the African American preaching and sacred rhetoric program at Christian Theological Seminary. Rev. Harris has been married to the love of her life, John I. Harris, III for over 21 years, and is the mother of Sierra Battle, a graduate of Morgan State University.

In the words of the late Rev. Dr. Katie Geneva Cannon, Rev. Harris is attempting to do the work her soul must have, marrying theory and praxis, scholarship and service. She believes that justice and faith are inseparable and is quick to challenge violent theologies that attempt to oppress and marginalize. She believes that God, even in these difficult times, is still breaking through time and space, making all things new. She has a passion for scholarship, justice, hip hop, and baseball. She can easily be found reading a book or writing a paper while listening to A Tribe Called Quest or The Roots while drinking a double espresso.

Posts By This Author

The Spiritual Power of Lauryn Hill

by Moya Harris 12-27-2022
If you listen to the album ‘The Miseducation of Lauryn Hill’ with an open heart and fresh ears, I believe that you will encounter God in new ways.
An illustration of a black woman with headphones on is closing her eyes with the side of her face to the viewer. Another woman has her back turned with a tattoo of Lauryn Hill on her neck.

Illustration by Gabi Hawkins

MUSIC IS MY safe space. When all hell is breaking out, I can put in my AirPods and turn on part of the soundtrack of my life and reset. The pandemic created a chronic hell that illuminated oppressive forces that have existed for centuries. Music became even more essential for my survival.

I am a Black clergywoman who is clear that “my emancipation doesn’t fit” many people’s equation. Let me say that another way: My authentic expression of self makes some people uncomfortable. My unapologetic expression of womanist Blackness often sheds light in the shadows of a corrupt world.

I won’t pretend that I have always felt free to be me. It took a pandemic to give space to be reminded by theologian and prophet Lauryn Hill that “deep in my heart, the answer, it was in me.” Hill’s lyrics and very existence compelled me to “[make] up my mind to define my own destiny.”

Some consider Hill to be one of the greatest lyricists of all time. An eight-time Grammy winner (with 19 nominations), she sings, raps, and acts. She is hip-hop royalty. In the ’90s, I wanted to be her. She wore the dopest locked hair style, had the most beautiful brown skin, and expressed her Blackness with boldness and class. She had, and still has, a lyrical flow that men and women couldn’t ignore. She was fly. (Translated as cool, sexy, smart, and stylish.)

Her industry-shaking debut solo album The Miseducation of Lauryn Hill, released in August 1998, will stand the test of time. Hill speaks truth in ways that penetrate the soul. I was a young mother when the album came out. She articulated things that only a Black woman could identify with. She spoke of the tension and beauty of having a child when society was telling her that motherhood and a career couldn’t coexist. She sang and rapped about self-respect, love gained, and love lost. This album is life. This album ministers. This album is sacred.

Women’s Needs Are Holy. Overturning Roe Ignores That

by Moya Harris 06-30-2022

I have been ruminating on the significance of being a pro-choice Black clergywoman in a post-Roe United States. I understand how this may sound subversive despite the fact that two-thirds of American women disapprove of the Supreme Court’s decision last Friday to overturn Roe v. Wade. To some people, it’s incompatible that I could be a minister and support someone’s right to choose to have an abortion.

White Supremacists Defaced Our Church, But We Refuse to Lose

by Moya Harris 12-18-2020

To be a Black woman in America and be relatively conscious, to paraphrase James Baldwin, is to be in a state of constant rage. Sweet holy songs don’t readily come to me. Christmas songs do not come to me. As a Black woman who happens to serve at a church that experienced white rage this past weekend when a group of demonstrators ripped down our Black Lives Matter banner and set it on fire, I am angry. And I’m tired.