May 27, 2016
Domestic partnership as portrayed in The Lobster is a cold, clinical affair that has nothing to do with love, but everything to do with fear. In the Hotel, single people are kept separate from couples. Daily activities include shooting, with paper targets shaped like single people; and awkward, joyless dances that resemble awkward middle school formals. Random exotic critters, presumably former guests, wander in and out of the frame, a constant reminder of the fate that awaits the singles should they fail to find a match.
Read the Full Article

Already a subscriber? Login